Tag Archives: Travel

London Life just Pubs by Photographer Shane Aurousseau

https://www.behance.net/gallery/71066439/London-Just-Pubs

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An Australian Journey in Black and White. Images Shane Aurousseau

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Traditional Houses high pitched Roofs for cooling

Having travelled extensively in the Country of my birth. I felt as a photographer I would like to show a side of Australia that tourists rarely see. The working and gritty side of a commodity driven country.
I have used black and white for strength. I see much of Australia as time warped in the 19th century. Much of the attitude beyond the populated coastal regions is early 20th century  to early post 1945 the 50s and 60s.when I left Australia the first time the population had not yet hit 10 million. Today it borders on 25 million and should continue to grow exponentially.  However still most new comers cling to the coastal regions like clinging to the gunnel of a boat. Little effort has been made by successive governments to develop the interior of this vast continent Island for community growth. The only development has been to plunder one of the world’s great commodity reservoirs. Many will say irrigation is a problem however Australia has one of the great sweet water catchments of the world in the Great Artisian Basin covering in excess of 1/3 of the country. Image result
Still many commodity industries are producing as they have for the last 150 years through the blood sweat and tears of hard yakka (yakka australian for work). As an example Australia produces 1/3 of the world’s wool this wool is of the finest micron quality. Shearing still takes place in the shearing shed on the sheep stations as it has for 150 years. Many commodities are mined in small holdings by sweating miners sometimes working in dangerous conditions.
I hope these images will give an idea of the hard yakka and gritty side of survival in the outback that still exists today. A world not totally based on ‘Information Technology’.

Tradition housing  dating to the 1800sIMGL7265

The Town
Tradition 1800s town centre similar to USA of same period
The Church
The Church Silverton nr Broken Hill
Shopping Centre
Clunes Victoria
The Dunny
The Dunny
The Pub
The Pub
Lion of Waterloo Pub Wellington NSW
Lion of Waterloo Pub Wellington NSW again high pitched roof
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Town Centre Silverton NSW
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Silverton NSW
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Church and Chair Silverton
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The car a Ford 60s
History
History
The Pub bar
The Bar
Trans Australia Indian Pacific
The Indian Pacific Railway Trans Australia Indian to pacific Oceans
Conversation at the Pub
The prospector
The Locals
The indigenous
The Mine
The mine
The Opal Miner
The Miner
The Miner
A Miner
The Miners BW
Smoko in the Mine
Smoko in the Black Opal Mine
Miner at Smoko
The Miner Cowboy Jimmy
Cowboy Jimmy a Miner
Portrait of a Shearer Yakka as a Business
Face of a Shearer
IMG_1930-bw
A Shearer
IMG_1929 BW
The Shearer
Portrait of an Australian Politician
Portrait of an Australian
Kelpie BW
Kelpie the working dog
Drover and Cocky
Drover and Cocky
The Cocky
Cocky Posing
Droving BW
Droving

 

Checking out the machinery Boy's Toys
The Engine Boys Toys
Smoko
Just Smoko
Clancy
On the Stand
Clancy's Mate on the Stand
Shearing the Jumbuck
Shearer and Jumbuck-1
Shearer Jumbuck and Smoke
The Shearer
Shearer and Jumbuck

 

Working with the Jumbuck
In the Shed

 

Working in the Shed
Hard Yakka
Shearers in the shed
hard Yakka on the Stand
Shearer and Jumbuck
Shearer Yakka with the Jumbuck
The Drover
The Drover
The Cocky
Cocky Posing
Hard Yakka
Yakka on the Stand
Hard Yakka Shearing
Broomy in the Shed
Hard Yakka at the Table
Broomy and yakka at the Table
Cocky resting
Cocky resting
Cocky and Sheep Dogs Flea Taxis Kelpies
Cocky and flea Taxis Kelpies
Checking the wool at the Table
At the Table
At the Table
Checking the Wool at the Table
Clancy and Mate on the Stand
Yakka

 

At the Table hard Yakka
On the table

 

A Local
A Local
Boul Boce
Playing Bocce
IMGL9843
The Gum

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Images by Shane Aurousseau

 

The Price of Photographic Quality and the Psychology of the image

Rightly or wrongly we have entered a period of low recognition of quality. Much of this is down to the development of the smart-phone. The smart-phone has seen the extension of the selfie culture. We live in a world of selfies and celebrity worship. This shallow culture may have been with us long before the smart phone however the speed of modern day mass communication is allowing more people to participate in this limited culture.

Quality is suffering as a professional photographer I often hear people say I’ve taken some wonderful photographs of the family and possibly they have. However, there is still a world of difference between what the professional produces and what the snapper produces. Most people will react to an image but few will know why they react, however reaction happens. Reaction may be triggered by many factors the clarity of the image, sharpness, strong highlights, deep shadows, composition, colour or lack of, saturation, positioning of the black points, distortion and even use of blur. Impact dictates that there is a world of difference between soft and strong images. Have you ever thought about why the eyes of a model on a station poster follow you? The professional will know what the objectives are and use the psychological and technical knowledge built up over the years to achieve the goal and will be able to through consistency arrive at the required result. This means that the equipment must cover the range of variables required to get the message across. Even with wedding photography the romance of the most important day in the lives of the participants needs to be recorded. However, most people don’t walk past an image and say WOW the highlights have made me register that photograph the reaction is far more subtly controlled than that and the explanation out of reach of the lay-mind.

Building the best possible solution is why there are different levels of quality in equipment, most major camera companies offer equipment that runs from entry level to high-end professional level. Such a spread can also be found in lenses why are some lenses more expensive. Variation in f stop can have a major impact on cost (The f-number of an optical system such as a camera lens is the ratio of the system’s focal length to the diameter of the entrance pupil. It is a dimensionless number that is a quantitative measure of lens speed, and an important concept in photography. It is also known as the focal ratiof-ratiof-stop, or relative aperture.] The f-number is commonly indicated using a hooked f with the format f/N, where N is the f-number),  the size of the sensor, the speed of the camera some run at 6/10 frames per second enabling the competent photographer to capture all the action, the level of ISO that allows the camera to be effective in very low light, the quality of the glass grinding (very important), the size of the aperture, the ability to control depth of field, the number of pixels, the breadth that the lens covers and pixels can also be part of achieving the objective giving cropping power however less pixels on a sensor can also be a tool, as less makes for bigger pixels that suck in more light that can sometimes be used to create clearer images. Prime lenses have no zoom capabilities but can produce images of an extremely high quality as they have few moving parts and tend to be at the high-end of grinding quality and more expensive than zooms.

The Night Bus
The night bus -the bus lighting and the highlights give the feeling of outside darkness at 0.3 sec f7.1 ISO 320 
The Night Stop 1
The night stop – Most people try to escape the journey home the mobile helps looking for the light bouncing off  the people high selective highlights but control the burnout leaving a feeling of late darkness everywhere else.  To get a shot like this you need to slow the speed way down 0.3 keep the fstop high 7/8 and keep the ISO as low as possible to cut noise this was 320. Also remember to keep checking as light changes even at night a higher passing vehicle can change the light. Remember everything in photography is a trade off all this goes for the picture above as well. on any shot bracketing can help in the selection process

Of course, lighting is one of the most important items; lighting ranges from the use of natural light to sophisticated studio lighting. The word photography from the Greek word ‘photos’ ‘phos’ (light) representation by means of lines or ‘drawing with light’   One of the problems with phone cameras is small sensors packed / cluttered with small pixels’ low quality glass small aperture but adequate for the family photo. The phone camera sensor layout will work with low resolution images that will be only utilised on social media transported to the viewer via phone, tablet or laptop. Press, posters, brochures, magazines printing requires high resolution to 300 ppi or ‘pixels per inch’; not dpi which is ‘dots per inch’. One of the issues that causes me to smile is the psychological role-playing by major phone companies trying to demonstrate the high quality of images shot on their phones. Many of these companies show blown-up images most of these blow-ups demonstrate the drafting and creative design talent of the participating photographers rather than the technical achievement embodied in the phone. The images although well-constructed tend to be pixelated, lack clarity, have some Chromatic aberration and can be soft when compared to the high impact of the professional images on posters in the same locations. The unfortunate reality of this type of promotion is that it convinces the lay snapper that they are working at a professional level. The camera phone has a real place in society but can sometimes try to move into a market that is currently out of reach. The use of professional well-constructed images in business photography can’t be emphasised enough even the simple head shot takes on a sales role when photographed properly ensuring that the model is believable and someone you would trust to do business with. A professional image is also a statement of competence by the company. Image is so important in business and good photography is the strongest way to convey that professionalism.

It is not possible to move on without mentioning the amount of work that goes into post shoot production to achieve a quality reproduction of the subject with all the right balances blacks’ greys colours. A shoot is not the day of the shoot but includes the days following the shoot where each image sometimes 1000s must be gone through individually looking for dirt specs, focus, handshake, Chromatic Aberration also known as ‘colour fringing’ draughtsmanship and general quality. In some instances, a high-quality shot that carries the exact massage may be too small in frame and may need cropping and resizing it also must first be found. High resolution images usually shot in RAW by professionals (a camera RAW image file contains minimally processed data of a digital camera. RAW files are not yet processed so not ready to be printed). RAW files make it easier for the profession to manipulate the data. JPEG files are usually processed in the camera and are compacted very like a PDF so not the available data required for high quality image manipulation. Most printers digital and mass require a high or maximum JPEG at level 10 or12 once the image has been finalised from the RAW. In photoshop a high or maximum JPEG opened will open as a TIFF this is a large file containing much of the information in a RAW file Such a TIFF can be worked on then save once again as a maximum JPG.   Conversion to PDF can also be used many printers will accept such an image. Usually files are saved in high JPG at 300 ppi and a duplicate png file is made at 72ppi for web and mobile use. The smaller file for internet use is at a size that will hold viewing quality and download quickly but can’t be blown up for print purposes, as it lacks data. You can see the amount of post shoot work that is required to achieve a usable portfolio of work.

Printing is another issue the amount of times that people say I will get it printed at the local high street super market that’s cheap. If quality prints that you can be proud to place on a home wall next to the family art collection or in gallery are what is required prints that have clarity separation of the blacks and the whites or definition of colour, true reproduction of the high resolution image a printer that can give a good spectrum of the grey scale and colours in RGB is required ( RGB Red, Green and Blue) as opposed to CMYK (Cyan, magenta and yellow, the K stands for Key as the colours are carefully Keyed aligned) used in high number mass printers usually the offset system as opposed to digital ink jet used by the smaller run quality art and photographic printers. Brochures, posters and magazines are usually mass offset printed working in CMYK. Common printers tend to use dye inks and have a limited number of ink reservoirs where the higher quality printers have anywhere from 8 to 12 ink reservoirs using pigment inks giving a good colour spectrum including a grey scale and extremely long life running to 100s years non-fade in theory. Achieving a high-quality print also is highly dependent upon paper and its coating. The different coatings on high quality photographic and art papers gives tremendous variation in tones/colours. These papers range from gloss through lustre to matt. Papers of quality are acid free and quite often made from cotton. Art photographers will understand the variation in papers and coating using such variation as a tool helping to achieve the target result. Galleries look for reproduction on high-end archival gallery quality art paper. Galleries understand that a high quality photographic art print is a work of art.  Some papers make the image bounce some a flatter feeling, some are better with black and white and mono colour others with full colour. High quality images tend to take longer to go through the print process as the fine accuracy of the printer slows the process.  All this quality increases the visual experience. High-end printers are manufactured by Canon, HP, Epsom. It is also important to guarantee the best results to utilise only genuine inks manufactured by the printer’s manufacturer this makes for consistency of colour or greys and an understanding of how to achieve the final result.

There is nothing like having a high quality precious photographic image on your wall especially one that tells a story and can be a major conversation piece.

An image is an experience the more the experience can be enhanced the greater the experience.

Sharlette to use
Sharlette – Image of the singer Sharlette looking to enhance the very attractive ivory quality of her skin. Shot in black and white without a filter but a very light dusting of orange from photoshop achieved the quality we were looking for. The lighting gives the overall effect with just the right amount of definition on her the black dress really helps This shot also had some use of the ‘high pass’ filter in photoshop as a skin smoothing agent adding to the ivory quality. Composition was important here placing the model slightly to left of centre gave the feeling that others may be in attendance, the remote look gives the feeling that she is the centre of attention important the only thing that matters to her is her music and the setting has a slight period feel from the 60s a popular music period. 
Shopping-Trip
The Shopping Trip – an image of pure composition an exercise in design and draughtsmanship very flat light few shadows the subject to the left gives the feeling of movement. Movement is something that can be used with dramatic effect quite often when shooting a tennis tournament I turn the camera sideways at an angle this can add to the drama also a technique used by photographers  to add speed to speeding cars.

 

All the images have strong subject points with separation of subject from background this adds strength to the image.

Shane Aurousseau – Shane A

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The Streets of London- Shane A

The Streets of London Images of London Photographer – Shane Aurousseau Shane A

Click for review Link: http://www.allaboutshipping.co.uk/2015/12/16/diversity-world/

the-wedding-party
The Wedding party

 

street-talk
Street Talk

 

street-watching
Just Observing
late-home
Late Bus
the-cook
The Chef

 

Twitter: https://twitter.com/Growlerythought

Web: www.kiamafoto.com

Blog: www.shaneasite.com

Review Link: http://www.allaboutshipping.co.uk/2015/12/16/diversity-world/

Link: https://fineartfotoblog.wordpress.com/2016/09/14/featured-artist-of-the-month-shane-aurousseau/

Call: +44 7778 058064

Email: shanea@kiamafoto.com

 

 

 

 

 

 

 

 

The Streets of London – Shane A

The Streets of London – Images of London Photographer – Shane Aurousseau Shane A

Click for review Link: http://www.allaboutshipping.co.uk/2015/12/16/diversity-world/

coffee-morning

service

the-sleeper

the-business-manager

transport

Twitter: https://twitter.com/Growlerythought

Web: www.kiamafoto.com

Blog: www.shaneasite.com

Review Link: http://www.allaboutshipping.co.uk/2015/12/16/diversity-world/

Call: +44 7778 058064

Email: shanea@kiamafoto.com

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Sarah Goodall Deputy Head of Mission Australian Embassy of Athens opening the exhibition in Athens by Australian Photographer Artist Shane Aurousseau

Sarah Goodall Deputy Head of Mission Australian Embassy of Athens Greece opening the Athens exhibition of works by Aussie photographer artist Shane Aurousseau. The exhibition of images taken around the sheep breeding region of Condobolin central NSW and based on the poem by AB ‘Banjo’ Paterson ‘Clancy of the Overflow’ the setting for the poem being the overflow on the Lachlan river at Condobolin.AB ‘Banjo’ Paterson also attributed ‘The Man from Snowy River’ and ‘Waltzing Matilda. The exhibition supported by the Australian Embassy of Athens and sponsored by Canadian investment company Syracuse Main Inc. and the fine art paper company Innova art.

ianosathens063

ianosathens056

The-sheep-and-the-Cockees-(153-of-172)Shearing-the-Jumbuck-A-BW-1The-Lion-of-Waterloo-Pub-1890

Exhibition of work by Photographer Artist Shane Aurousseau ‘Ianos Cafe’ Athens Greece

Opening Exhibition ‘Ianos’ Athens Greece by Australian Artist Photographer Shane Aurousseau

Shearing-hard-Yakka

Based on the Poem ‘Clancy of the overflow’ by AB ‘Banjo’ Paterson

Shearing images Condobolin NSW Lachlan river overflow location for ‘Clancy of the Overflow’

‘Ianos Café’ Athens The exhibition from 1 5/9/2016 – 15/10/2016

 Deputy Head of Mission Sarah Goodall Australian Embassy of Athens opens the Exhibition

sarah-goodall-australian-embassy-of-athens-speaking-at-the-opening

Opening evening Photographer Michalis Konstantinides Athens

Supported by

Untitled-1

Australian Embassy of Athens

Sponsors

SMI1-web       innova-logo_with-website-flat_300dpi

Syracuse Main Inc.                         Innova Art Paper

Below: Link to article on Exhibition of work by Artist Photographer Shane Aurousseau Athens.

The link below also carries a potted history of AB “Banjo” Paterson the creator of “Clancy of the Overflow” “The Man from Snowy River” and “Waltzing Matilda”

http://www.allaboutshipping.co.uk/2016/08/03/photographer-shane-aurousseaus-new-exhibition-at-ianos-cafe-in-athens/

Link to ‘Clancy of the Overflow’ – Banjo Paterson

https://www.youtube.com/watch?v=SSbm60mi7Bw

Link to ‘The Man from Snowy River’ – Banjo Paterson

https://www.youtube.com/watch?v=SSbm60mi7Bw

Link to Waltzing Matilda – Banjo Paterson

https://www.youtube.com/watch?v=SANzC9-a5yo

An Invitation to an Exhibition of Images by Australian Artist Photographer Shane Aurousseau

An Invitation

Exhibition in Athens Greece by Australian Artist Photographer Shane Aurousseau

Opening 15th September Ianos Café The exhibition on 1 5/9/2016 at 20:30 with musical quartet Jazz.

 Supported by Australian Embassy of Athens

Untitled-1

Sponsors

SMI1-web

Innova-Logo_with-website-Flat_300dpi

Below: Link to article on Exhibition of work by Artist Photographer Shane Aurousseau Athens.

The link below also carries a potted history of “Banjo” Paterson the creator of “Clancy of the Overflow” “The Man from Snowy River” and “Waltzing Matilda”

http://www.allaboutshipping.co.uk/2016/08/03/photographer-shane-aurousseaus-new-exhibition-at-ianos-cafe-in-athens/

 Hard-Yakka

‘IANOS CAFÉ’ Shane Aurousseau Photography exhibition

IANOS Canadian investment company «Syracuse Main, Inc.) and Innova fine art paper proudly present at IANOS CAFÉ a photography exhibition by Australian Photographer Artist Shane Aurousseau. A photographic journey through the sheep breeding region of Condobolin Central New South Wales and the vast rural areas of Australia where his lens recorded the hard work (“hard Yakka” in Aussie speak) of Australian sheep shearers collecting the finest micron wool in the world from Merino sheep.

The exhibition on 1 5/9/2016 at 20:30 with musical quartet Jazz.

Duration: September 15 – October 1 5, 2016.

With the support of the Australian Embassy in Athens

Sponsored by: Syracuse Main, Inc.

INNOVA Fine Art paper

About the exhibition

Condobolin (Central NSW) on the Lachlan River, the Overflow on the Lachlan is the setting for the poem ” Clancy of the Overflow ” by “Banjo Paterson”, one of the most important works in Australian literature. Banjo Paterson also the author of “The Man from Snowy River” and “Waltzing Matilda”, The Man from Snowy River was the basis for two movies one a Hollywood blockbuster.

The-sheep-and-the-Cockees-(153-of-172)

Click below link to article on the exhibition and Shane Aurousseau: –

http://www.allaboutshipping.co.uk/2016/08/03/photographer-shane-aurousseaus-new-exhibition-at-ianos-cafe-in-athens/

Shane Aurousseau an Australian photographer who has worked as a creative director and photographer in some of the largest advertising agencies in the world, in Sydney, Amsterdam and London and for clients such as Time Magazine, Time Life Books, Michelin, Chrysler, the AA (Automobile Association) and some of the leading bank and investment funds in the world.

He has designed CD covers and produced photographs for major record label companies promoting well known international artists including one Eurovision winner. His works have been published in magazines in London and around the world. His images of London have been used on posters and postcards marketed throughout the capital city including the main tourist shops of London’s dynamic West End. He has exhibited his works in London, Sydney, Amsterdam and Madrid (Madrid sponsored by the ‘American Women’s Association’).

He currently lives in London. He studied art, photography and psychology in Australia and Britain. Shane travels regularly photographing the world we live in and its incredible diversity of life. His works reflect the entire spectrum of life in deprived neighborhoods of large cities, social commentary, landscapes and life in remote, rural areas of Australia, portraits of friends and strangers

His photographs can be described as journalistic. In recent years much of his time is spent in the Australian Outback capturing the hard work (‘hard Yakka’ in shearing OZ speak) of the ‘sheep shearers’ and’ miners’ in the gold and Opel fields of New South Wales.

Shane Aurousseau – Shane A

Hard-Yakka

H-_EXHIBITION-3-12-2015_Sheep-23-1-2016_Smoko
Smoko

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Diversity – Things are not always so Black and White

Shane Aurousseau an Australian Photographer has worked in Sydney, London and Amsterdam as a creative director with some of the World’s largest advertising agencies with client’s such as Time magazine and Time Life Books. He has also produced designs and photographs for record label covers and has been published regularly by glossy magazines. He has had exhibitions in Sydney, Amsterdam, Madrid (sponsored by the American Women’s association) and now London. He is currently a resident of the UK living in London; he studied art and photography in Australia. Shane now travels extensively and produces high quality images from around the Globe, promoting the diverse nature of our incredible planet. His images of London have appeared on posters and postcards in some 300 shops throughout the city including the key tourist shops in the West End.

In his photography Shane covers everything from the city views to landscapes, urban street life and remote Australian outback, portraits of his friends and strangers that he saw passing by. His photography can easily be described as documentary or journalistic. A sense of the beautiful diversity of the world reflects through Shane’s lens.

Hiding-the-Evidence

Outwalls is glad to have the opportunity to invite you to see Shane Aurousseau’s photography exhibition “Diversity World”. The exhibition held at Leyas, a local coffee shop in Mornington Crescent Camden very close to the Tube and Koko’s night club. Outwalls is a curatorial project aiming to exhibit a range of artists within social spaces, creating a more approachable link between audience and artist. Why not drop in, have a coffee and see some unique images.

Outwalls

Curator: Ruta Sasnauskaite

Stay-down-There

outwalls.info@gmail.com

Shane Aurousseau

Twitter: https://twitter.com/Growlerythought

Web: www.kiamafoto.com

Blog: www.shaneasite.com

Review Link: http://www.allaboutshipping.co.uk/2015/12/16/diversity-world/

Call: +44 7778 058064 Ask about long lasting Gallery Museum quality prints.

Email: shanea@kiamafoto.com

Prints of the work by Shane A are available in all sizes e-mail size for quote

 

 

 

 

 

The Myths of the Referendum

The Myths of the Referendum

There are many legitimate arguments on both sides of the referendum divide. Brussels and its bureaucrats have been removed and disinterested in the real working and living populations of not just the UK but throughout Europe. This is now giving rise to a worrying move to the ultra-right-wing. Brussels bureaucrats along with many of the key national governments have not been listening and this is allowing the gap between the wealthy and the poor to increase  and I now include the middle classes in the poor. With the rising costs of food utilities and housing the middle classes are now under substantial pressure. The outcry from a referendum that I believe should never of happened could prove to be one of the greatest protest votes in history. Unfortunately,  this referendum could become an economic disaster if politicians continue in their current vein .. I have little doubt that the UK will find a way to survive possibly as a smaller economy providing its politicians get tough and really believe in a direction.

The problem I have with this referendum is that as one man one vote, one company one vote the final word has been left to the man on the street. It was like loading a gun to fire at a target no one could see. The ruling classes did little to explain the direction to fire in. Consequently, most voters voted on the basis of misunderstanding. In a previous blog I pointed out why I believe the immigration issue was a red herring, as it is estimated that between 1995 and 2011  migrants made a positive contribution of more than £4 billion ($6.4 billion) to Britain, compared with an overall negative contribution of £591 billion for native Britons. Between 2001 and 2011, the net fiscal contribution of recent arrivals from the eastern European countries that have joined the EU since 2004 has amounted to almost £5 billion. Even during the worst years of the financial crisis, in 2007-11, they made a net contribution of almost £2 billion to British public finances. Migrants from other European countries chipped in £8.6 billion. Research by Christian Dustmann of University College London and Tommaso Frattini of the University of Milan 

I have heard many incorrect assumptions made on reasons for voting Brexit from bringing back democracy to non-elected MEPs in Brussels. Democracy does not exist here or elsewhere the only thing that matters is does your country have a workable government that protects the people and increases their wealth.  The UK like most counties is run by an establishment not all elected. MEPs are elected every 5 years.  

The United Kingdom’s component of the 2014 European Parliament election was held on Thursday 22 May 2014, coinciding with the 2014 local elections in England and Northern Ireland. Given the subsequent Leave vote in the 23 June 2016 referendum, it is likely that this will be the last time the UK participates in a European Parliament election.

Most of the results of the election were announced on Sunday 25 May, after voting closed throughout the 28 member states of the European Union. In total, 73 Members of the European Parliament were elected from the United Kingdom using proportional representationEnglandScotland and Wales use a closed-list party list system of PR (with the D’Hondt method), while Northern Ireland used the single transferable vote (STV).

The UK Independence Party (UKIP) came top of the poll – the first time a political party other than the Labour Party or Conservative Party has won the popular vote in a British election since the 1906 general election. It is also the first time a party other than the Labour and Conservatives won the largest number of seats in a national election since the December 1910 general election.

The Conservatives, the party at the time in governing coalition with the Liberal Democrats, were pushed into third place for the first time in a European Parliament election, the same position as Labour in the previous 2009 European Parliament election. It was also the first time since 1984 that the largest opposition party failed to win the European Parliament election.

Figures released in December 2014 showed that the Conservatives and UKIP each spent £2.96m on the campaign, the Liberal Democrats £1.5 million and the Labour party approximately £1m.

Unfortunately, few people take any notice of European elections and this election happened with only a 34% turnout. I am only pointing this out and as many will demonstrate to me there is much wrong with this system. However, where is the will to make it work.

The plunge has now been taken and will come down to a rather ineffective so called political elite to negotiate the best divorce possible. There are going to be many problems the first is the hope that an EEA (European Economic Area) deal similar to Norway’s can be negotiated. The European Economic Area (EEA) is the area in which the Agreement on the EEA provides for the free movement of persons, goods, services and capital within the internal market of the European Union (EU). Norway’s deal includes the acceptance of open borders. As this election was fought and won on immigration this will not be an acceptable compromise for the UK people.

The-City-Signature
Image by Shane Aurousseau

It has also been muted that banks and financial groups should wait before moving, as a new Markets in Financial Instruments Directive (MFID) is about to be launched. Markets in Financial Instruments Directive 2004/39/EC (known as “MiFID”) as subsequently amended is a European Union law that provides harmonized regulation for investment services across the 31 member states of the European Economic Area (the 28 EU member states plus Iceland, Norway and Liechtenstein). The directive’s main objectives are to increase competition and consumer protection in investment services. As of the effective date, 1 November 2007, it replaced the Investment Services Directive (ISD). My understanding and correct me if I am wrong is that a state must have a EEA agreement in place to be part of MFID.  Referendum

MIFID is very important to London  and the UK to be able to participate in such an agreement.

However, a more important issue is the clearing of Euro denominated business. It is already the European Central Bank’s view that euro-denominated business worth hundreds of billions of euros would be better executed – or “cleared” – on the continent. This is the reason for HSBCs indication that it may move a 1000 jobs to Paris others could follow. This could potentially be a major loss for the city. Some say up to 70,000 jobs could go. These are real issues that the average voter has no knowledge of. Without the city the economy will shrink and this will have a major effect on the lifestyles of the average voter.

Other myths that we need to stop and take count of, firstly Britain is not a member of the Schengen agreement so why can’t border controls be put in place now. This points more to UK government political failure than an EU issue an an underfunded border service.

Of course we all Know about the misrepresentation of the £350 million figure closer to £110 million. A case that the advertising standards committee won’t even look at. Now it is being admitted that the money won’t be available until exit in 2 years + and by then there could be a new government in place with other pressing problems, they may not want to use that money for the NHS. Unfortunately, the British public continue to get stitched up by the political class in Brussels and the UK.

This morning a Nordic trade bloc has been muted this could be a very viable solution for the British even keeping Scotland and Northern Ireland as part of the Union and solving the problem of a corrupt and disjointed Brussels. Such a bloc could have the strength to force deals out of the EU; especially with the EU falling trade figures; while being free to negotiate internationally.

Shane Aurousseau

http://www.kiamafoto.com

Stamp-26-4-2016-2-cut