Tag Archives: Sheep

The Illusion the Power of Photography by Shane A

Designing for strength states there is a story to be told. High impact image also use of highlights and strong shadows. The use of multiple images is legitimate if it enhances the message. The message it what’s important the camera is only a tool a paint brush. To be creative lateral thought carries great importance. Many great artists only became successful after their deaths only when people realised how far lateral and radical thought had taken them and what it had given society. Nothing advances when restricted by convention.

Designing for strength high impact image
Designing for strength high impact image

The question is how far an image should be pushed to achieve impact?
There are many ways to enhance an image for impact and not all in the camera post shoot production is legitimate in achieving the goal of the image creator. The camera is part of the mathematical workings part of a process towards an outcome that achieves the required result. The result is what takes the creator to the next step in the process toward reaction and development. Its rather like saying any publicity is good publicity. Few people understand why they are drawn to an image. It can be because they don’t like it unhappy with it or the cuteness is drawing the viewer in.

The image panel below uses black and white to take the eye from the colour of blood and costume to focus the eye on the detachment of the spectators using highlights throughout the gallery keeping the action dark, the action is secondary. This detachment could be a synonym for our society’s attitude to violent issues throughout the world note the child.

The colour image draws the spectators and Matadors together in their detachment to death. Even though in colour the image reeks of death yet the detachment is stronger.

Why does an image have impact the colours because it’s black and white the tonal values, highlights shadows, sharpness. Professional photographers often talk about the black point strong blacks that still carry definition can make an image bounce. Landscapes can come alive when colours are pushed to an unnatural level or the design becomes extreme. Many viewers will say I really don’t like that image. This thought process means the image has already done its job. Shock tactics have been used by the advertising industry for decades. The big photo libraries talk in terms of strong and soft images they understand that it is impact that sells, there is nothing like profit to concentrate professionalism. Laypeople will often say I need to think about that photo this secondary thought process means the moment has passed the impact is a momentary spontaneous reaction not a thought process an impulse sale. It is the initial impact that stops the viewer and commences the creation of the thought process. This dictates that the image deserves further scrutiny and understanding however without the first impact the image will be bypassed. The great master painters were masters of shock in use of colour light extreme design. Many of the great artists moved from realistic depiction to extreme or abstract design seeking that step further in impact and thought process, great photographers often use distortion to emphasise a visual point. Picasso is a great example of an artist taking the step into the dimension of lateral thought experimentation in understanding. This is what made them professionals masters, art is about causing a reaction to a statement and photography is art the word comes from the Greek a combination of two words Phos or Photos (meaning light) and Graphein (meaning to write or representation by means of lines or drawing, together meaning drawing with light). Size can have a bearing an image with little impact at A5 can come alive at poster size.

Tightly cropped shot using strong blacks to contrast the lace of the senoritas a gentle separation of the carriage groups. An image that reeks of tradition.

The Opal miner in Lightning Ridge becomes part of the wall and mine that he spends most of his day working in.

The strength of the Ocean is the dominant force below enhanced by the black and white and the highlights. Use of black and highlight.

Three women in happy fiesta dresses yet totally bored with the festivities the focus in on each woman emphasising her state.

The light entering the shed from your left makes this image and it emphasises the clarity of the wool. Use of strong light creating a strong highlight but still containing some detail.

The death of an icon a symbol for the disappearance of the motor industry in Australia and the jobs that went with it. The image is one of a mausoleum surrounded by headstones. The black and white is in keeping with the somber subject.

The women who follow the Nazarenos at Semana Santa a sombre occasion but still a fashion statement. Strong black with a hint of the lace subtle use a light touch with the highlights brings out the lace. A careful balance between black and highlight.

Concentration on the faces, pride of participation.

The family participates in a great and culturally diverse city London

The World over

Waiting for the action to start

Getting rid of the evidence a suggestion by action.

Street Gossip

Reading the Music focused use of light. The white keyboards with the white sheets draws the eye in. The shot derives its impact from the lighting. Concentrating on the action with an indication of the participants.

The work continues getting it right position and action.

Portrait of a Miner. The black and white emphasises the darkness of the world he works in the tight crop his personality.

Portrait of a Cocky and Drover. The stiffness almost gives a painted portrait feel making the image clear and focused on the subjects. They are what they are men of the land of the outback. The Drover is on your left, the Cocky or station owner your right.

The Bullock driver tight crop and action give this shot its impact.

The metomorphosis colour to black and white or vice versa changing the atmosphere.

The power of the highlights and the blacks.

Creating an atmosphere the organist’s concentration is only drawn to the music he exists only in his own bubble

The tight crop creating character

Shoot in high resolution reduce for the internet the image will always have more impact than a small censor phone. The phone image can be well constructed however the reduction from high to low increases definition strengthens shadows and highlights moving from a good well-constructed snap to professional quality. The advertising industry is the master benchmark for understanding impact and industry based on reaction. Cameras in the full frame to medium format giving TIFF files of 50MP plus are the choice for high impact imaging by professionals. Most people react to an image without knowing why and rightly so it is the job of the layman to react and the job of the professional to understand and to draw out the reaction.

All Images by Shane Aurousseau or:-

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An Australian Journey in Black and White. Images Shane Aurousseau

Annette-2
Traditional Houses high pitched Roofs for cooling just like the one I grew up in

Having travelled extensively in the Country of my birth. I felt as a photographer I would like to show a side of Australia that tourists rarely see. The working and gritty side of a commodity driven country.

I have used black and white for strength. I see much of Australia as time warped in the 19th century. Much of the attitude beyond the populated coastal regions is early 20th century to 1945 the 50s and 60s. When I left Australia the first time the population had not yet hit 10 million. Today it borders on 25 million and should continue to grow exponentially. However still most new comers cling to the coastal regions like clinging to the gunnel of a boat. Little effort has been made by successive governments to develop the interior of this vast continent Island for community growth.

The main development has been for short term commercial / profit driven gains. Such objectives have caused the plundering of one of the world’s great commodity reservoirs with little thought for the landscape or its inhabitants. Many will say irrigation is a problem however Australia has one of the great sweet water catchments of the world in the Great Artesian Basin covering in excess of 1/3 of the country.

Great Artesian Basin of Australia the Largest Artesian Basin in the world

The country suffers from lack of real communication infrastructure development, railways and roads. There has been too much profiteering by small groups in power that have been too quick to take the vast sums of corporate cash on offer by the multi-nationals that covert the buried riches of Australia. The country is the epitome of the good life for the few a promotion of the 1%. This issue manifests in the lack of of support for the farming communities, wildlife protection and the governments inertia related to fire seasons.

Still many commodity industries are producing as they have for the last 150 years through the blood sweat and tears of hard yakka (yakka Australian for work). As an example Australia produces 1/3 of the world’s wool this wool from the Merino sheep is of the finest micron quality on the globe. Although some of the micron quality ( not all ) has been purposely lowered for more cost effective Chinese manufacturing. Shearing still takes place in the shearing shed on the sheep stations as it has for 150 years. Many commodities are mined in small holdings by sweating miners sometimes working in dangerous conditions, Lightning Ridge, Coober Pedy, White Cliffs to name a few.

Tradition housing dating to the 1800s

Australia the Outback and Silverton the 1800s ‘ Mad Max’ Country
IMGL7265

From the 1800s

The Town
Tradition 1800s town centre similar to USA of same period
The Church
The Church Silverton nr Broken Hill
Shopping Centre
Clunes Victoria
The Dunny
The Dunny
The Pub
The Pub
Lion of Waterloo Pub Wellington NSW
Lion of Waterloo Pub Wellington NSW again high pitched roof
IMGL7576
Town Centre Silverton NSW
IMGL8018
The car a Ford 60s
History
History
The Pub bar
The Bar
Trans Australia Indian Pacific
The Indian Pacific Railway Trans Australia Indian to pacific Oceans
Conversation at the Pub
The prospector
The Locals
The indigenous
The Mine
The mine
The Opal Miner
The Miner
The Miner
A Miner
The Miners BW
Smoko in the Mine
Smoko in the Black Opal Mine
Miner at Smoko
Repairs
Check out
Start Digging
The Entrance
The Climb
Miner in thought
Australia Outback and Lightning Ridge Opals the church
Australia Outback and Lightning Ridge Opals the church
The Miner Cowboy Jimmy
Cowboy Jimmy a Miner
Portrait of a Shearer Yakka as a Business
Face of a Shearer
IMG_1930-bw
A Shearer
IMG_1929 BW
The Shearer
Kelpie BW
Kelpie the working dog
Drover and Cocky
Drover and Cocky
The Cocky
Cocky Posing
Droving BW
Droving
Checking out the machinery Boy's Toys
The Engine Boys Toys
Smoko
Just Smoko
Clancy
On the Stand
Clancy's Mate on the Stand
Shearing the Jumbuck
Shearer and Jumbuck-1
Shearer Jumbuck and Smoke
The Shearer
Shearer and Jumbuck
Working with the Jumbuck
In the Shed
Working in the Shed
Hard Yakka
Shearers in the shed
hard Yakka on the Stand
Shearer and Jumbuck
Shearer Yakka with the Jumbuck
The Drover
The Drover
The Cocky
Cocky Posing
Hard Yakka
Yakka on the Stand
Hard Yakka Shearing
Broomy in the Shed
Hard Yakka at the Table
Broomy and yakka at the Table
Cocky resting
Cocky resting
Cocky and Sheep Dogs Flea Taxis Kelpies
Cocky and flea Taxis Kelpies
Checking the wool at the Table
At the Table
At the Table
Checking the Wool at the Table
Clancy and Mate on the Stand
Yakka
At the Table hard Yakka
On the table
Transport
A Local
A Local
Local Art at Broken Hill
IMGL9843
The Gum
Stamp-26-4-2016-2-cut

Images by Shane Aurousseau

Sarah Goodall Deputy Head of Mission Australian Embassy of Athens opening the exhibition in Athens by Australian Photographer Artist Shane Aurousseau

Sarah Goodall Deputy Head of Mission Australian Embassy of Athens Greece opening the Athens exhibition of works by Aussie photographer artist Shane Aurousseau. The exhibition of images taken around the sheep breeding region of Condobolin central NSW and based on the poem by AB ‘Banjo’ Paterson ‘Clancy of the Overflow’ the setting for the poem being the overflow on the Lachlan river at Condobolin.AB ‘Banjo’ Paterson also attributed ‘The Man from Snowy River’ and ‘Waltzing Matilda. The exhibition supported by the Australian Embassy of Athens and sponsored by Canadian investment company Syracuse Main Inc. and the fine art paper company Innova art.

ianosathens063

ianosathens056

The-sheep-and-the-Cockees-(153-of-172)Shearing-the-Jumbuck-A-BW-1The-Lion-of-Waterloo-Pub-1890

Exhibition of work by Photographer Artist Shane Aurousseau ‘Ianos Cafe’ Athens Greece

Opening Exhibition ‘Ianos’ Athens Greece by Australian Artist Photographer Shane Aurousseau

Shearing-hard-Yakka

Based on the Poem ‘Clancy of the overflow’ by AB ‘Banjo’ Paterson

Shearing images Condobolin NSW Lachlan river overflow location for ‘Clancy of the Overflow’

‘Ianos Café’ Athens The exhibition from 1 5/9/2016 – 15/10/2016

 Deputy Head of Mission Sarah Goodall Australian Embassy of Athens opens the Exhibition

sarah-goodall-australian-embassy-of-athens-speaking-at-the-opening

Opening evening Photographer Michalis Konstantinides Athens

Supported by

Untitled-1

Australian Embassy of Athens

Sponsors

SMI1-web       innova-logo_with-website-flat_300dpi

Syracuse Main Inc.                         Innova Art Paper

Below: Link to article on Exhibition of work by Artist Photographer Shane Aurousseau Athens.

The link below also carries a potted history of AB “Banjo” Paterson the creator of “Clancy of the Overflow” “The Man from Snowy River” and “Waltzing Matilda”

http://www.allaboutshipping.co.uk/2016/08/03/photographer-shane-aurousseaus-new-exhibition-at-ianos-cafe-in-athens/

Link to ‘Clancy of the Overflow’ – Banjo Paterson

https://www.youtube.com/watch?v=SSbm60mi7Bw

Link to ‘The Man from Snowy River’ – Banjo Paterson

https://www.youtube.com/watch?v=SSbm60mi7Bw

Link to Waltzing Matilda – Banjo Paterson

https://www.youtube.com/watch?v=SANzC9-a5yo

An Invitation to an Exhibition of Images by Australian Artist Photographer Shane Aurousseau

An Invitation

Exhibition in Athens Greece by Australian Artist Photographer Shane Aurousseau

Opening 15th September Ianos Café The exhibition on 1 5/9/2016 at 20:30 with musical quartet Jazz.

 Supported by Australian Embassy of Athens

Untitled-1

Sponsors

SMI1-web

Innova-Logo_with-website-Flat_300dpi

Below: Link to article on Exhibition of work by Artist Photographer Shane Aurousseau Athens.

The link below also carries a potted history of “Banjo” Paterson the creator of “Clancy of the Overflow” “The Man from Snowy River” and “Waltzing Matilda”

http://www.allaboutshipping.co.uk/2016/08/03/photographer-shane-aurousseaus-new-exhibition-at-ianos-cafe-in-athens/

 Hard-Yakka

‘IANOS CAFÉ’ Shane Aurousseau Photography exhibition

IANOS Canadian investment company «Syracuse Main, Inc.) and Innova fine art paper proudly present at IANOS CAFÉ a photography exhibition by Australian Photographer Artist Shane Aurousseau. A photographic journey through the sheep breeding region of Condobolin Central New South Wales and the vast rural areas of Australia where his lens recorded the hard work (“hard Yakka” in Aussie speak) of Australian sheep shearers collecting the finest micron wool in the world from Merino sheep.

The exhibition on 1 5/9/2016 at 20:30 with musical quartet Jazz.

Duration: September 15 – October 1 5, 2016.

With the support of the Australian Embassy in Athens

Sponsored by: Syracuse Main, Inc.

INNOVA Fine Art paper

About the exhibition

Condobolin (Central NSW) on the Lachlan River, the Overflow on the Lachlan is the setting for the poem ” Clancy of the Overflow ” by “Banjo Paterson”, one of the most important works in Australian literature. Banjo Paterson also the author of “The Man from Snowy River” and “Waltzing Matilda”, The Man from Snowy River was the basis for two movies one a Hollywood blockbuster.

The-sheep-and-the-Cockees-(153-of-172)

Click below link to article on the exhibition and Shane Aurousseau: –

http://www.allaboutshipping.co.uk/2016/08/03/photographer-shane-aurousseaus-new-exhibition-at-ianos-cafe-in-athens/

Shane Aurousseau an Australian photographer who has worked as a creative director and photographer in some of the largest advertising agencies in the world, in Sydney, Amsterdam and London and for clients such as Time Magazine, Time Life Books, Michelin, Chrysler, the AA (Automobile Association) and some of the leading bank and investment funds in the world.

He has designed CD covers and produced photographs for major record label companies promoting well known international artists including one Eurovision winner. His works have been published in magazines in London and around the world. His images of London have been used on posters and postcards marketed throughout the capital city including the main tourist shops of London’s dynamic West End. He has exhibited his works in London, Sydney, Amsterdam and Madrid (Madrid sponsored by the ‘American Women’s Association’).

He currently lives in London. He studied art, photography and psychology in Australia and Britain. Shane travels regularly photographing the world we live in and its incredible diversity of life. His works reflect the entire spectrum of life in deprived neighborhoods of large cities, social commentary, landscapes and life in remote, rural areas of Australia, portraits of friends and strangers

His photographs can be described as journalistic. In recent years much of his time is spent in the Australian Outback capturing the hard work (‘hard Yakka’ in shearing OZ speak) of the ‘sheep shearers’ and’ miners’ in the gold and Opel fields of New South Wales.

Shane Aurousseau – Shane A

Hard-Yakka

H-_EXHIBITION-3-12-2015_Sheep-23-1-2016_Smoko
Smoko

Stamp-26-4-2016-2-cut

 

 

 

 

‘IANOS CAFÉ’ Exhibition of work by Photographer Artist Shane Aurousseau

Link to article on Athen’s exhibition of work by Photographer Artist Shane Aurousseau:-

http://www.allaboutshipping.co.uk/2016/08/03/photographer-shane-aurousseaus-new-exhibition-at-ianos-cafe-in-athens/

‘IANOS CAFÉ’ Exhibition of work by Photographer Artist Shane Aurousseau

Photography exhibition

IANOS and Canadian investment company «Syracuse Main, Inc. and Innova Fine Art Paper proudly present at IANOS CAFÉ a photography exhibition by Australian Photographer Artist Shane Aurousseau. A photographic journey through the sheep breeding region of Condobolin Central New South Wales and the vast rural areas of Australia where his lens recorded the hard work ( in Australian,” hard Yakka) of Australian sheep shearers collecting the wool from the world famous Merino sheep.

The exhibition on 1 5/9/2016 at 20:30 with musical quartet Jazz.

Duration: September 15 – October 1 5, 2016.

With the support of the Australian Embassy in Athens

Sponsored by: Syracuse Main, Inc.

Innova Fine Art paper

The-Lion-of-Waterloo-Pub-1890

About the exhibition and the artist:

Condobolin (Central NSW) on the Lachlan River, is the setting for the poem ” Clancy of the Overflow ” by Banjo Paterson, one of the most important works in Australian literature. Banjo Paterson also the author of “The Man from Snowy River” and “Waltzing Matilda”, The Man from Snowy River was the basis for two movies one a Hollywood blockbuster.

Shane Aurousseau an Australian photographer who has worked as a creative director and photographer in some of the largest advertising agencies in the world, in Sydney, Amsterdam and London and for clients such as Time Magazine, Time Life Books, Michelin, Chrysler, the AA (Automobile Association) and some of the leading bank and investment funds in the world.

He has designed CD covers and produced photographs for major record label companies promoting well known international artists including one Eurovision winner. His works have been published in magazines in London and around the world. His images of London have been used on posters and postcards marketed throughout the capital city including the main tourist shops of London’s dynamic West End. He has exhibited his works in London, Sydney, Amsterdam and Madrid (Madrid sponsored by the ‘American Women’s Association’).

He currently lives in London. He studied art, photography and psychology in Australia and Britain. Shane travels regularly photographing the world we live in and its incredible diversity of life. His works reflect the entire spectrum of life in deprived neighborhoods of large cities, social commentary, landscapes and life in remote, rural areas of Australia, portraits of friends and strangers

His photographs can be described as journalistic. In recent years much of his time is spent in the Australian Outback capturing the hard work (‘hard Yakka’ in shearing OZ speak) of the ‘sheep shearers’ and’ miners’ in the gold and Opel fields of New South Wales.

Supported by: –

The Australian Embassy of Athens

Untitled-1

Sponsors: –

Syracuse Main, Inc.

SMI1-web

INNOVA Fine Art Paper

Innova-Logo_with-website-Flat_300dpi

 

 

 

 

 

Hard Yakka in the Shed

I met him down the Lachlan, years ago,

He was shearing when I knew him, so I sent him a letter

Just ‘on spec’ addressed  as follows ‘Clancy of the Overflow’ 

Banjo Paterson

Shearing-the-Jumbuck-in-the-Shed-A
Shearing the Jumbuck

Shearing-Colours
Hard yakka in the Shed

The-Shed
The Shed hard yakka

Hard-Yakka-with-the-Jumbucks-Condobolin
The Shed

Heat-in-the-Shed-F
The Broomy

Really-Hard-Yakka
Day’s Yakka

The-Yakka-and-the-Broomy
Hard yakka and the Broomy

Smoko
Smoko

Smoko-in-the-Shed
Smoko in the Shed

Images by Photographer Shane Aurousseau

Twitter: https://twitter.com/Growlerythought

Web: www.kiamafoto.com

Blog: www.shaneasite.com

Review Link: http://www.allaboutshipping.co.uk/2015/12/16/diversity-world/

Email: shanea@kiamafoto.com