Tag Archives: Photography

The Anomalies Traditions and Spirit of Spain Espana by Shane A

Spain, for me one of the most fascinating and alive countries in the world a microcosm of global cognitive dissonance. The primeval instincts buried and suppressed within all of us along with an openness and expressiveness many of us are not capable of.

For most of us the reality of many of the world’s issues don’t exist, knowledge and denial. Heaven forbid that this is a discussion on bullfighting it’s not or fox hunting or Kangaroo shooting. We are destroying the planet while looking the other way. Not a form of justification however 80% of the films we watch are just as violent as bullfighting the only deviation is the perception no one is really getting hurt a safe way to pander to the primeval. The care directed at the noble Andalucian horse.

El Gitano de Oro

The very real connection to music of the Golden Gypsy, el gitano de oro. Then there is the security safety of religion being part of the community participation in making things right an important part of keeping the balance and forgiving the misdemeanours. The exciting expressiveness of escape from worldly issues through Fiesta, Romeria or Feria. The faces of the woman and little girl in the carriage, happy to be participating, the pride of the gypsy boy participating on the horse. The everydayness of the bandsman playing with his mobile. Hope these images add a meaning to my statements. Look closely at the detachment of the spectators at the corrida. Are the spectators and matadors really connecting with the drama or just playing lip service to a traditional peer group concept that embodies toò much reality to really connect with or is there some form of emotional primeval stimulus, note the child. For the matadors detachment a defence mechanism, possibly? looking but not seeing certainly for many of the spectators. We live by denial a protection against the enormity of change and our individual inability to effect change.

Images Shane Aurousseau

Shane A

On Romeria
The magnificent curved head of the Spanish Andalucian Horse

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The Illusion the Power of Photography by Shane A

Designing for strength states there is a story to be told. High impact image also use of highlights and strong shadows. The use of multiple images is legitimate if it enhances the message. The message it what’s important the camera is only a tool a paint brush. To be creative lateral thought carries great importance. Many great artists only became successful after their deaths only when people realised how far lateral and radical thought had taken them and what it had given society. Nothing advances when restricted by convention.

Designing for strength high impact image
Designing for strength high impact image

The question is how far an image should be pushed to achieve impact?
There are many ways to enhance an image for impact and not all in the camera post shoot production is legitimate in achieving the goal of the image creator. The camera is part of the mathematical workings part of a process towards an outcome that achieves the required result. The result is what takes the creator to the next step in the process toward reaction and development. Its rather like saying any publicity is good publicity. Few people understand why they are drawn to an image. It can be because they don’t like it unhappy with it or the cuteness is drawing the viewer in.

The image panel below uses black and white to take the eye from the colour of blood and costume to focus the eye on the detachment of the spectators using highlights throughout the gallery keeping the action dark, the action is secondary. This detachment could be a synonym for our society’s attitude to violent issues throughout the world note the child.

The colour image draws the spectators and Matadors together in their detachment to death. Even though in colour the image reeks of death yet the detachment is stronger.

Why does an image have impact the colours because it’s black and white the tonal values, highlights shadows, sharpness. Professional photographers often talk about the black point strong blacks that still carry definition can make an image bounce. Landscapes can come alive when colours are pushed to an unnatural level or the design becomes extreme. Many viewers will say I really don’t like that image. This thought process means the image has already done its job. Shock tactics have been used by the advertising industry for decades. The big photo libraries talk in terms of strong and soft images they understand that it is impact that sells, there is nothing like profit to concentrate professionalism. Laypeople will often say I need to think about that photo this secondary thought process means the moment has passed the impact is a momentary spontaneous reaction not a thought process an impulse sale. It is the initial impact that stops the viewer and commences the creation of the thought process. This dictates that the image deserves further scrutiny and understanding however without the first impact the image will be bypassed. The great master painters were masters of shock in use of colour light extreme design. Many of the great artists moved from realistic depiction to extreme or abstract design seeking that step further in impact and thought process, great photographers often use distortion to emphasise a visual point. Picasso is a great example of an artist taking the step into the dimension of lateral thought experimentation in understanding. This is what made them professionals masters, art is about causing a reaction to a statement and photography is art the word comes from the Greek a combination of two words Phos or Photos (meaning light) and Graphein (meaning to write or representation by means of lines or drawing, together meaning drawing with light). Size can have a bearing an image with little impact at A5 can come alive at poster size.

Tightly cropped shot using strong blacks to contrast the lace of the senoritas a gentle separation of the carriage groups. An image that reeks of tradition.

The Opal miner in Lightning Ridge becomes part of the wall and mine that he spends most of his day working in.

The strength of the Ocean is the dominant force below enhanced by the black and white and the highlights. Use of black and highlight.

Three women in happy fiesta dresses yet totally bored with the festivities the focus in on each woman emphasising her state.

The light entering the shed from your left makes this image and it emphasises the clarity of the wool. Use of strong light creating a strong highlight but still containing some detail.

The death of an icon a symbol for the disappearance of the motor industry in Australia and the jobs that went with it. The image is one of a mausoleum surrounded by headstones. The black and white is in keeping with the somber subject.

The women who follow the Nazarenos at Semana Santa a sombre occasion but still a fashion statement. Strong black with a hint of the lace subtle use a light touch with the highlights brings out the lace. A careful balance between black and highlight.

Concentration on the faces, pride of participation.

The family participates in a great and culturally diverse city London

The World over

Waiting for the action to start

Getting rid of the evidence a suggestion by action.

Street Gossip

Reading the Music focused use of light. The white keyboards with the white sheets draws the eye in. The shot derives its impact from the lighting. Concentrating on the action with an indication of the participants.

The work continues getting it right position and action.

Portrait of a Miner. The black and white emphasises the darkness of the world he works in the tight crop his personality.

Portrait of a Cocky and Drover. The stiffness almost gives a painted portrait feel making the image clear and focused on the subjects. They are what they are men of the land of the outback. The Drover is on your left, the Cocky or station owner your right.

The Bullock driver tight crop and action give this shot its impact.

The metomorphosis colour to black and white or vice versa changing the atmosphere.

The power of the highlights and the blacks.

Creating an atmosphere the organist’s concentration is only drawn to the music he exists only in his own bubble

The tight crop creating character

Shoot in high resolution reduce for the internet the image will always have more impact than a small censor phone. The phone image can be well constructed however the reduction from high to low increases definition strengthens shadows and highlights moving from a good well-constructed snap to professional quality. The advertising industry is the master benchmark for understanding impact and industry based on reaction. Cameras in the full frame to medium format giving TIFF files of 50MP plus are the choice for high impact imaging by professionals. Most people react to an image without knowing why and rightly so it is the job of the layman to react and the job of the professional to understand and to draw out the reaction.

All Images by Shane Aurousseau or:-

London in Winter by Shane Aurousseau

It is rare for snow to settle in central London. However with the snow storm named the ‘Beast from the East’ there has been the freezing conditions for snow to settle in the capital. These8 images could become part of weather history.

London City Life

London City Life

Important Places to go

The Day Starts

Expectation

Girl Talk

1 Yellow the colour of Summer yet to come

2 Yellow the colour of Summer yet to come

3 Yellow the colour of Summer yet to come

4 Yellow the colour of Summer yet to
Social Evolution ‘That was a lousy meeting’
Social Evolution ‘I told him that’
Social Evolution ‘Just Texting’
Social Evolution ‘Can’t hear what size pan?’
Social Evolution ‘Life just passes’
Social Evolution ‘That’s a really great pic’
Social Evolution ‘Oh no! Shit!
Just chilling and texting

lick link below for all images

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London a Night Traveler’s View images Shane Aurousseau

Continue reading London a Night Traveler’s View images Shane Aurousseau

The Art of ShaneA Shane Aurousseau beautiful and unique prints at reasonable prices.

For a Limited period Shane Aurousseau is offering high quality prints of his art shown below at affordable prices. Prints are A3+ larger than A3. The print size is 13″ins x 19″ins or 329 mm x 483 mm. The prints are on the highest quality Innova cotton based acid free paper. They are printed using extremely long lasting pigment inks. The inks have the lasting qualities of a painting.
Each print is carefully and acuratly printed. Due to the printing time these images will never be massed produced in this format so will always be limited in quantity. Print price £60 plus postage and packing. If you would like to purchase one of these prints please email: shaneaur@gmail.com

The Icon
City Reflections
Morning Coffee
Saris
The Night Bus
The Carousel
Fiesta Chica
The Home
The Wish
Yesteryear
Ghosts of Yesteryear
Glass Houses
The Gateway
The Glass City
Photography by Shane Aurousseau

The Dunny

Three Women and a Fiesta

The Singer

The beach

Ocean

The Vocalist

Gitano de Oro

Saris

Girl with Guitar

The Singers

Hills

The Carriage

For your discount see below. A limited period discount offered to my followers, Shane Aurousseau 

High-end scanning by  EWA 

I have known EWA for sometime and have found them to be quick and professional producing the highest quality scanning, Shane Aurousseau 

Looking for the highest-end scanning to digitise that high quality film photo library. Then see the attach image and contact EWA a preferred supplier to such companies as Alamy and Getty.
Member of: CEPIC Centre of the Picture Industry, BAPLA British Association of Picture Libraries and Agencies.
For your discount just quote the code on the image

An Australian Journey in Black and White. Images Shane Aurousseau

Annette-2
Traditional Houses high pitched Roofs for cooling

Having travelled extensively in the Country of my birth. I felt as a photographer I would like to show a side of Australia that tourists rarely see. The working and gritty side of a commodity driven country.
I have used black and white for strength. I see much of Australia as time warped in the 19th century. Much of the attitude beyond the populated coastal regions is early 20th century  to early post 1945 the 50s and 60s.when I left Australia the first time the population had not yet hit 10 million. Today it borders on 25 million and should continue to grow exponentially.  However still most new comers cling to the coastal regions like clinging to the gunnel of a boat. Little effort has been made by successive governments to develop the interior of this vast continent Island for community growth. The only development has been to plunder one of the world’s great commodity reservoirs. Many will say irrigation is a problem however Australia has one of the great sweet water catchments of the world in the Great Artisian Basin covering in excess of 1/3 of the country. Image result
Still many commodity industries are producing as they have for the last 150 years through the blood sweat and tears of hard yakka (yakka australian for work). As an example Australia produces 1/3 of the world’s wool this wool is of the finest micron quality. Shearing still takes place in the shearing shed on the sheep stations as it has for 150 years. Many commodities are mined in small holdings by sweating miners sometimes working in dangerous conditions.
I hope these images will give an idea of the hard yakka and gritty side of survival in the outback that still exists today. A world not totally based on ‘Information Technology’.

Tradition housing  dating to the 1800sIMGL7265

The Town
Tradition 1800s town centre similar to USA of same period
The Church
The Church Silverton nr Broken Hill
Shopping Centre
Clunes Victoria
The Dunny
The Dunny
The Pub
The Pub
Lion of Waterloo Pub Wellington NSW
Lion of Waterloo Pub Wellington NSW again high pitched roof
IMGL7576
Town Centre Silverton NSW
IMGL7535
Silverton NSW
IMGL7500
Church and Chair Silverton
IMGL8018
The car a Ford 60s
History
History
The Pub bar
The Bar
Trans Australia Indian Pacific
The Indian Pacific Railway Trans Australia Indian to pacific Oceans
Conversation at the Pub
The prospector
The Locals
The indigenous
The Mine
The mine
The Opal Miner
The Miner
The Miner
A Miner
The Miners BW
Smoko in the Mine
Smoko in the Black Opal Mine
Miner at Smoko
The Miner Cowboy Jimmy
Cowboy Jimmy a Miner
Portrait of a Shearer Yakka as a Business
Face of a Shearer
IMG_1930-bw
A Shearer
IMG_1929 BW
The Shearer
Portrait of an Australian Politician
Portrait of an Australian
Kelpie BW
Kelpie the working dog
Drover and Cocky
Drover and Cocky
The Cocky
Cocky Posing
Droving BW
Droving

 

Checking out the machinery Boy's Toys
The Engine Boys Toys
Smoko
Just Smoko
Clancy
On the Stand
Clancy's Mate on the Stand
Shearing the Jumbuck
Shearer and Jumbuck-1
Shearer Jumbuck and Smoke
The Shearer
Shearer and Jumbuck

 

Working with the Jumbuck
In the Shed

 

Working in the Shed
Hard Yakka
Shearers in the shed
hard Yakka on the Stand
Shearer and Jumbuck
Shearer Yakka with the Jumbuck
The Drover
The Drover
The Cocky
Cocky Posing
Hard Yakka
Yakka on the Stand
Hard Yakka Shearing
Broomy in the Shed
Hard Yakka at the Table
Broomy and yakka at the Table
Cocky resting
Cocky resting
Cocky and Sheep Dogs Flea Taxis Kelpies
Cocky and flea Taxis Kelpies
Checking the wool at the Table
At the Table
At the Table
Checking the Wool at the Table
Clancy and Mate on the Stand
Yakka

 

At the Table hard Yakka
On the table

 

A Local
A Local
Boul Boce
Playing Bocce
IMGL9843
The Gum

Stamp-26-4-2016-2-cut

Images by Shane Aurousseau

 

Photographic Exhibition Leyas 20 Camden High Street London UK

Exhibition of photography by
Yiannis Pelekanis
Tanit Taltavull
Ruta Sasnauskaite
Shane Aurousseau
Leyas 20 Camden High Street London UK
No Title – No Border
Exhibition on throughout June
All images for sale
Donations to ‘ Doctors Without Borders’ ‘Medicins Sans Frontiers’

Prints of the highest Gallery Archival quality
Hope to see you there.