For a Limited period Shane Aurousseau is offering high quality prints of his art shown below at affordable prices. Prints are A3+ larger than A3. The print size is 13″ins x 19″ins or 329 mm x 483 mm. The prints are on the highest quality Innova cotton based acid free paper. They are printed using extremely long lasting pigment inks. The inks have the lasting qualities of a painting.
Each print is carefully and acuratly printed. Due to the printing time these images will never be massed produced in this format so will always be limited in quantity. Print price £60 plus postage and packing. If you would like to purchase one of these prints please email: firstname.lastname@example.org
I have known EWA for sometime and have found them to be quick and professional producing the highest quality scanning, Shane Aurousseau
Looking for the highest-end scanning to digitise that high quality film photo library. Then see the attach image and contact EWA a preferred supplier to such companies as Alamy and Getty.
Member of: CEPIC Centre of the Picture Industry, BAPLA British Association of Picture Libraries and Agencies.
For your discount just quote the code on the image
Having travelled extensively in the Country of my birth. I felt as a photographer I would like to show a side of Australia that tourists rarely see. The working and gritty side of a commodity driven country.
I have used black and white for strength. I see much of Australia as time warped in the 19th century. Much of the attitude beyond the populated coastal regions is early 20th century to early post 1945 the 50s and 60s.when I left Australia the first time the population had not yet hit 10 million. Today it borders on 25 million and should continue to grow exponentially. However still most new comers cling to the coastal regions like clinging to the gunnel of a boat. Little effort has been made by successive governments to develop the interior of this vast continent Island for community growth. The only development has been to plunder one of the world’s great commodity reservoirs. Many will say irrigation is a problem however Australia has one of the great sweet water catchments of the world in the Great Artisian Basin covering in excess of 1/3 of the country.
Still many commodity industries are producing as they have for the last 150 years through the blood sweat and tears of hard yakka (yakka australian for work). As an example Australia produces 1/3 of the world’s wool this wool is of the finest micron quality. Shearing still takes place in the shearing shed on the sheep stations as it has for 150 years. Many commodities are mined in small holdings by sweating miners sometimes working in dangerous conditions.
I hope these images will give an idea of the hard yakka and gritty side of survival in the outback that still exists today. A world not totally based on ‘Information Technology’.
The above article is a good article and is an indicative parallel to the broader issues of global racism. The issues outlined in the article are issues that Americans should be able to relate to. Australia generally has little tolerance towards the Aboriginal community and yet exploits the historical track for purely commercial reasons. Growing up under the white Australia policy we never mentioned our neighbours and were taught little about one of the oldest continuous cultures in the world. We certainly never went to the same school or sat next to them at a cinema and continually still joke about how ill kept they are and their drinking habits. The issue with many Australian academics is that they are products of history most having grown up under the white Australia policy, we are our fathers. While travelling in the outback I heard a woman shopkeeper say ‘an Aboriginal woman came in here this morning, she was very nice and really polite’. Why wouldn’t she be what was the shopkeeper expecting to be mugged? Australian Academia does not have a silver bullet more like a smoking gun. This country of immigrants still dislikes diversity in most of its forms. The surface practical issues can be cleaned up and like justice seen to be done but the deep rooted psychological issues inherited from our forefathers takes time and is harder to banish.
At sometime whether Aboriginal or European it is necessary to ring-fence but also to look beyond our own cultures.
It could be a parallel for Brexit. We still dislike difference we still distrust diversity without really knowing why an insecurity that Australia and the world must face at sometime if we are to survive as an educated, enlightened species. We must also find ways to not forget but to forgive the past or next we will be prosecuting the descendents of Alexander the Great for his misdemeanors of 323 BC.
The featured image by photographer Shane Aurousseau could be called ‘Which way to Look Now’.
España el país las emociones las imágenes Shane Aurousseau
Spain a country I have always felt at home in. I lived there for.many years under the Franco regime. Since those days I return regularly and consider the country my spiritual home. With many Spanish friends It is a country of people who have little fear of allowing emotions to be on open display demonstrating an honesty that many peoples struggle with. I have presented here a series of images of the country and its people’s emotions from the love of life, The love of family, the security of being part of a society that their religion brings, to courage death and the raw brutality of the bull ring man’s most primordial emotions, This is not written to condone or condemn only to show the openness of the full range of man’s normally hidden emotions on full display in this exciting country. Emotions that are within us all. We are a species trying to move from the primeval natural world to something higher yet we continually regress and live in hypocritical denial. There is a refreshing honesty with the openness of emotion adding to the vigour of a country that embraces life openly with all its drama and melodrama.
España el país las emociones las imágenes Shane Aurousseau Mi España
Sharlette the lead singer at the Obar 83-85 Wardour Street Soho London W1D 6QE. The music is great with a number of very talented singers appearing. The live music is every Sunday and Wednesday and is a really cool venue worth visiting when in London.
Sharlette an extremely talented singer with chameleon like image and as a photographer and creative director making her one of the best models I have worked with she also embodies the young musicians of the West End of London, young people really making a contribution to the lifestyle of the city. The Obar really worth visiting below I have included some of the changing faces of Sharlette;-
Follow Sharlette on Twitter @sharletteK Follow the OBar on Twitter @Obarsoho. Also both on Facebook. Follow Shane Aurousseau on Instagram: Shaneaur Twitter @ GrowleryThought Linkedin Shane Aurousseau or just Google:Shane Aurousseau.
A3+ 19″x 13″ins on highest quality acid free cotton based gallery quality art paper printed using a 10 ink printer with long lasting highest quality Canon original pigment inks. These are the highest quality gallery level prints possible.