Click for the works of Photographer Shane Aurousseau
Click for the works of Photographer Shane Aurousseau
Instagram #shaneaur @shaneaur Twitter @growlerythought
Spain, for me one of the most fascinating and alive countries in the world a microcosm of global cognitive dissonance. The primeval instincts buried and suppressed within all of us along with an openness and expressiveness many of us are not capable of.
For most of us the reality of many of the world’s issues don’t exist, knowledge and denial. Heaven forbid that this is a discussion on bullfighting it’s not or fox hunting or Kangaroo shooting. We are destroying the planet while looking the other way. Not a form of justification however 80% of the films we watch are just as violent as bullfighting the only deviation is the perception no one is really getting hurt a safe way to pander to the primeval. The care directed at the noble Andalucian horse.
The very real connection to music of the Golden Gypsy, el gitano de oro. Then there is the security safety of religion being part of the community participation in making things right an important part of keeping the balance and forgiving the misdemeanours. The exciting expressiveness of escape from worldly issues through Fiesta, Romeria or Feria. The faces of the woman and little girl in the carriage, happy to be participating, the pride of the gypsy boy participating on the horse. The everydayness of the bandsman playing with his mobile. Hope these images add a meaning to my statements. Look closely at the detachment of the spectators at the corrida. Are the spectators and matadors really connecting with the drama or just playing lip service to a traditional peer group concept that embodies toò much reality to really connect with or is there some form of emotional primeval stimulus, note the child. For the matadors detachment a defence mechanism, possibly? looking but not seeing certainly for many of the spectators. We live by denial a protection against the enormity of change and our individual inability to effect change.
Images Shane Aurousseau
Designing for strength states there is a story to be told. High impact image also use of highlights and strong shadows. The use of multiple images is legitimate if it enhances the message. The message it what’s important the camera is only a tool a paint brush. To be creative lateral thought carries great importance. Many great artists only became successful after their deaths only when people realised how far lateral and radical thought had taken them and what it had given society. Nothing advances when restricted by convention.
The question is how far an image should be pushed to achieve impact?
There are many ways to enhance an image for impact and not all in the camera post shoot production is legitimate in achieving the goal of the image creator. The camera is part of the mathematical workings part of a process towards an outcome that achieves the required result. The result is what takes the creator to the next step in the process toward reaction and development. Its rather like saying any publicity is good publicity. Few people understand why they are drawn to an image. It can be because they don’t like it unhappy with it or the cuteness is drawing the viewer in.
The image panel below uses black and white to take the eye from the colour of blood and costume to focus the eye on the detachment of the spectators using highlights throughout the gallery keeping the action dark, the action is secondary. This detachment could be a synonym for our society’s attitude to violent issues throughout the world note the child.
The colour image draws the spectators and Matadors together in their detachment to death. Even though in colour the image reeks of death yet the detachment is stronger.
Why does an image have impact the colours because it’s black and white the tonal values, highlights shadows, sharpness. Professional photographers often talk about the black point strong blacks that still carry definition can make an image bounce. Landscapes can come alive when colours are pushed to an unnatural level or the design becomes extreme. Many viewers will say I really don’t like that image. This thought process means the image has already done its job. Shock tactics have been used by the advertising industry for decades. The big photo libraries talk in terms of strong and soft images they understand that it is impact that sells, there is nothing like profit to concentrate professionalism. Laypeople will often say I need to think about that photo this secondary thought process means the moment has passed the impact is a momentary spontaneous reaction not a thought process an impulse sale. It is the initial impact that stops the viewer and commences the creation of the thought process. This dictates that the image deserves further scrutiny and understanding however without the first impact the image will be bypassed. The great master painters were masters of shock in use of colour light extreme design. Many of the great artists moved from realistic depiction to extreme or abstract design seeking that step further in impact and thought process, great photographers often use distortion to emphasise a visual point. Picasso is a great example of an artist taking the step into the dimension of lateral thought experimentation in understanding. This is what made them professionals masters, art is about causing a reaction to a statement and photography is art the word comes from the Greek a combination of two words Phos or Photos (meaning light) and Graphein (meaning to write or representation by means of lines or drawing, together meaning drawing with light). Size can have a bearing an image with little impact at A5 can come alive at poster size.
Tightly cropped shot using strong blacks to contrast the lace of the senoritas a gentle separation of the carriage groups. An image that reeks of tradition.
The Opal miner in Lightning Ridge becomes part of the wall and mine that he spends most of his day working in.
The strength of the Ocean is the dominant force below enhanced by the black and white and the highlights. Use of black and highlight.
Three women in happy fiesta dresses yet totally bored with the festivities the focus in on each woman emphasising her state.
The light entering the shed from your left makes this image and it emphasises the clarity of the wool. Use of strong light creating a strong highlight but still containing some detail.
The death of an icon a symbol for the disappearance of the motor industry in Australia and the jobs that went with it. The image is one of a mausoleum surrounded by headstones. The black and white is in keeping with the somber subject.
The women who follow the Nazarenos at Semana Santa a sombre occasion but still a fashion statement. Strong black with a hint of the lace subtle use a light touch with the highlights brings out the lace. A careful balance between black and highlight.
Concentration on the faces, pride of participation.
The family participates in a great and culturally diverse city London
The World over
Waiting for the action to start
Getting rid of the evidence a suggestion by action.
Reading the Music focused use of light. The white keyboards with the white sheets draws the eye in. The shot derives its impact from the lighting. Concentrating on the action with an indication of the participants.
The work continues getting it right position and action.
Portrait of a Miner. The black and white emphasises the darkness of the world he works in the tight crop his personality.
Portrait of a Cocky and Drover. The stiffness almost gives a painted portrait feel making the image clear and focused on the subjects. They are what they are men of the land of the outback. The Drover is on your left, the Cocky or station owner your right.
The Bullock driver tight crop and action give this shot its impact.
The metomorphosis colour to black and white or vice versa changing the atmosphere.
The power of the highlights and the blacks.
Creating an atmosphere the organist’s concentration is only drawn to the music he exists only in his own bubble
The tight crop creating character
Shoot in high resolution reduce for the internet the image will always have more impact than a small censor phone. The phone image can be well constructed however the reduction from high to low increases definition strengthens shadows and highlights moving from a good well-constructed snap to professional quality. The advertising industry is the master benchmark for understanding impact and industry based on reaction. Cameras in the full frame to medium format giving TIFF files of 50MP plus are the choice for high impact imaging by professionals. Most people react to an image without knowing why and rightly so it is the job of the layman to react and the job of the professional to understand and to draw out the reaction.
All Images by Shane Aurousseau or:-
España el país las emociones las imágenes Shane Aurousseau
Spain a country I have always felt at home in. I lived there for.many years under the Franco regime. Since those days I return regularly and consider the country my spiritual home. With many Spanish friends It is a country of people who have little fear of allowing emotions to be on open display demonstrating an honesty that many peoples struggle with. I have presented here a series of images of the country and its people’s emotions from the love of life, The love of family, the security of being part of a society that their religion brings, to courage death and the raw brutality of the bull ring man’s most primordial emotions, This is not written to condone or condemn only to show the openness of the full range of man’s normally hidden emotions on full display in this exciting country. Emotions that are within us all. We are a species trying to move from the primeval natural world to something higher yet we continually regress and live in hypocritical denial. There is a refreshing honesty with the openness of emotion adding to the vigour of a country that embraces life openly with all its drama and melodrama.
España el país las emociones las imágenes Shane Aurousseau Mi España
A3+ 19″x 13″ins on highest quality acid free cotton based gallery quality art paper printed using a 10 ink printer with long lasting highest quality Canon original pigment inks. These are the highest quality gallery level prints possible.