Having travelled extensively in the Country of my birth. I felt as a photographer I would like to show a side of Australia that tourists rarely see. The working and gritty side of a commodity driven country.
I have used black and white for strength. I see much of Australia as time warped in the 19th century. Much of the attitude beyond the populated coastal regions is early 20th century to early post 1945 the 50s and 60s.when I left Australia the first time the population had not yet hit 10 million. Today it borders on 25 million and should continue to grow exponentially. However still most new comers cling to the coastal regions like clinging to the gunnel of a boat. Little effort has been made by successive governments to develop the interior of this vast continent Island for community growth. The only development has been to plunder one of the world’s great commodity reservoirs. Many will say irrigation is a problem however Australia has one of the great sweet water catchments of the world in the Great Artisian Basin covering in excess of 1/3 of the country.
Still many commodity industries are producing as they have for the last 150 years through the blood sweat and tears of hard yakka (yakka australian for work). As an example Australia produces 1/3 of the world’s wool this wool is of the finest micron quality. Shearing still takes place in the shearing shed on the sheep stations as it has for 150 years. Many commodities are mined in small holdings by sweating miners sometimes working in dangerous conditions.
I hope these images will give an idea of the hard yakka and gritty side of survival in the outback that still exists today. A world not totally based on ‘Information Technology’.
Tradition housing dating to the 1800s
Images by Shane Aurousseau
Opening Exhibition ‘Ianos’ Athens Greece by Australian Artist Photographer Shane Aurousseau
Based on the Poem ‘Clancy of the overflow’ by AB ‘Banjo’ Paterson
Shearing images Condobolin NSW Lachlan river overflow location for ‘Clancy of the Overflow’
‘Ianos Café’ Athens The exhibition from 1 5/9/2016 – 15/10/2016
Deputy Head of Mission Sarah Goodall Australian Embassy of Athens opens the Exhibition
Opening evening Photographer Michalis Konstantinides Athens
Australian Embassy of Athens
Syracuse Main Inc. Innova Art Paper
Below: Link to article on Exhibition of work by Artist Photographer Shane Aurousseau Athens.
The link below also carries a potted history of AB “Banjo” Paterson the creator of “Clancy of the Overflow” “The Man from Snowy River” and “Waltzing Matilda”
Link to ‘Clancy of the Overflow’ – Banjo Paterson
Link to ‘The Man from Snowy River’ – Banjo Paterson
Link to Waltzing Matilda – Banjo Paterson
Exhibition in Athens Greece by Australian Artist Photographer Shane Aurousseau
Opening 15th September Ianos Café The exhibition on 1 5/9/2016 at 20:30 with musical quartet Jazz.
Supported by Australian Embassy of Athens
Below: Link to article on Exhibition of work by Artist Photographer Shane Aurousseau Athens.
The link below also carries a potted history of “Banjo” Paterson the creator of “Clancy of the Overflow” “The Man from Snowy River” and “Waltzing Matilda”
‘IANOS CAFÉ’ Shane Aurousseau Photography exhibition
IANOS Canadian investment company «Syracuse Main, Inc.) and Innova fine art paper proudly present at IANOS CAFÉ a photography exhibition by Australian Photographer Artist Shane Aurousseau. A photographic journey through the sheep breeding region of Condobolin Central New South Wales and the vast rural areas of Australia where his lens recorded the hard work (“hard Yakka” in Aussie speak) of Australian sheep shearers collecting the finest micron wool in the world from Merino sheep.
The exhibition on 1 5/9/2016 at 20:30 with musical quartet Jazz.
Duration: September 15 – October 1 5, 2016.
With the support of the Australian Embassy in Athens
Sponsored by: Syracuse Main, Inc.
INNOVA Fine Art paper
About the exhibition
Condobolin (Central NSW) on the Lachlan River, the Overflow on the Lachlan is the setting for the poem ” Clancy of the Overflow ” by “Banjo Paterson”, one of the most important works in Australian literature. Banjo Paterson also the author of “The Man from Snowy River” and “Waltzing Matilda”, The Man from Snowy River was the basis for two movies one a Hollywood blockbuster.
Click below link to article on the exhibition and Shane Aurousseau: –
Shane Aurousseau an Australian photographer who has worked as a creative director and photographer in some of the largest advertising agencies in the world, in Sydney, Amsterdam and London and for clients such as Time Magazine, Time Life Books, Michelin, Chrysler, the AA (Automobile Association) and some of the leading bank and investment funds in the world.
He has designed CD covers and produced photographs for major record label companies promoting well known international artists including one Eurovision winner. His works have been published in magazines in London and around the world. His images of London have been used on posters and postcards marketed throughout the capital city including the main tourist shops of London’s dynamic West End. He has exhibited his works in London, Sydney, Amsterdam and Madrid (Madrid sponsored by the ‘American Women’s Association’).
He currently lives in London. He studied art, photography and psychology in Australia and Britain. Shane travels regularly photographing the world we live in and its incredible diversity of life. His works reflect the entire spectrum of life in deprived neighborhoods of large cities, social commentary, landscapes and life in remote, rural areas of Australia, portraits of friends and strangers
His photographs can be described as journalistic. In recent years much of his time is spent in the Australian Outback capturing the hard work (‘hard Yakka’ in shearing OZ speak) of the ‘sheep shearers’ and’ miners’ in the gold and Opel fields of New South Wales.
Shane Aurousseau – Shane A
I met him down the Lachlan, years ago,
He was shearing when I knew him, so I sent him a letter
Just ‘on spec’ addressed as follows ‘Clancy of the Overflow’
Images by Photographer Shane Aurousseau
The Cocky or the boss on a sheep station, the shearers and hard work or hard Yakker in the shearing shed. The kelpies the working dogs of the Australian sheep stations, backing dogs that only need a quick command in order to know exactly where the drover wants the mob to go. Drovers and Cockies will tell you that a dog is worth two men. Australia still rides home on the sheep’s back producing over one third of the world’s wool and the finest micron level from Merino Sheep. I have had the fortune to spend some time in Condobolin, roughly the centre of New South Wales (NSW). An Uncle was the Cocky at a sheep station called Rosalind close to Condobolin.
Condobolin believed to have evolved from the aboriginal word Cundabullen (Shallow Crossing). explored in 1817 and established by 1844. Close to Condobolin is the ‘Overflow Station’ the setting of the poem ‘Clancy of the Overflow’. by the creator of ‘Waltzing Matilda’ and the Man from Snowy River – Banjo Paterson. ‘Clancy of the Overflow’ part of an Australian’s schooling.
Andrew Barton “Banjo’ Paterson (1864-1941). Poet, ballad writer, journalist and horseman.
‘Banjo’ Paterson, known as Barty to his family, was born Andrew Barton Paterson at Narrambla, near Orange on 17 February 1864. His parents, Andrew Bogle and Rose Isabella Paterson were graziers or Cockys on Illalong station in the Yass district. Some say Yass is the finest wool grazing in the world, certainly in Australia for the Merino sheep.
Paterson’s early education took place at home under a governess and then at the bush school in Binalong, the nearest township. From about the age of ten years he attended the Sydney Grammar School. He lived with his grandmother in Gladesville and spent the school holidays at Illalong station with his family.
After completing school the 16-year-old Paterson was articled to a Sydney firm of solicitors, Spain and Salway. He was admitted as a solicitor in 1886 and formed the legal partnership, Street and Paterson. During these years Paterson began publishing verse in the Bulletin and Sydney Mail under the pseudonyms ‘B’ and ‘The Banjo’.
In 1895, at the age of 31 and still in partnership with Street, Andrew Barton Paterson achieved two milestones in Australian writing. He composed his now famous ballad ‘Waltzing Matilda’ and his first book, The Man from Snowy River, and other verses, was published by Angus & Robertson, marking the beginning of an epoch in Australian publishing. This hallmark publication sold out its first edition within a week and went through four editions in six months, making Paterson second only to Kipling in popularity among living poets writing in English. His poetry continues to sell well today and is available in many editions, some of which are illustrated.
*Biography courtesy of the Reserve Bank of Australia
Clancy of the Overflow – Banjo Paterson
I had written him a letter which I had, for want of better
Knowledge, sent to where I met him down the Lachlan, years ago,
He was shearing when I knew him, so I sent the letter to him,
Just ‘on spec’, addressed as follows, ‘Clancy, of The Overflow’.
And an answer came directed in a writing unexpected,
(And I think the same was written with a thumb-nail dipped in tar)
‘Twas his shearing mate who wrote it, and verbatim I will quote it:
‘Clancy’s gone to Queensland droving, and we don’t know where he are.’
In my wild erratic fancy visions come to me of Clancy
Gone a-droving ‘down the Cooper’ where the Western drovers go;
As the stock are slowly stringing, Clancy rides behind them singing,
For the drover’s life has pleasures that the townsfolk never know.
And the bush hath friends to meet him, and their kindly voices greet him
In the murmur of the breezes and the river on its bars,
And he sees the vision splendid of the sunlit plains extended,
And at night the wond’rous glory of the everlasting stars.
I am sitting in my dingy little office, where a stingy
Ray of sunlight struggles feebly down between the houses tall,
And the foetid air and gritty of the dusty, dirty city
Through the open window floating, spreads its foulness over all.
And in place of lowing cattle, I can hear the fiendish rattle
Of the tramways and the buses making hurry down the street,
And the language uninviting of the gutter children fighting,
Comes fitfully and faintly through the ceaseless tramp of feet.
And the hurrying people daunt me, and their pallid faces haunt me
As they shoulder one another in their rush and nervous haste,
With their eager eyes and greedy, and their stunted forms and weedy,
For townsfolk have no time to grow, they have no time to waste.
And I somehow rather fancy that I’d like to change with Clancy,
Like to take a turn at droving where the seasons come and go,
While he faced the round eternal of the cash-book and the journal —
But I doubt he’d suit the office, Clancy, of ‘The Overflow’.
Droving Shearing, hard yakka
Images: Photographer Shane Aurousseau
Exhibition of work by Photographer Shane Aurousseau curated by Outwalls at Leyas Camden High Street. Why not drop in, have a coffee and relax while viewing some unique images. All prints are personally signed by Shane A, are limited Outwalls editions and for sale, give a family member or friend a unique Christmas gift. Prints are on Innova museum quality acid free cotton paper printed with long lasting pigment inks making them of the highest art exhibition quality.
Location: Leyas, 20 Camden High Street NW1 OJH very near Mornington Crescent tube station and in the newly revamped square now one of London’s most thriving meeting places.
Curator at Outwalls
Shane Aurousseau an Australian Photographer has worked in Sydney, London and Amsterdam as a creative director with some of the World’s largest advertising agencies with client’s such as Time magazine and Time Life Books. He has also produced designs and photographs for record label covers and has been published regularly by glossy magazines. He has had exhibitions in Sydney, Amsterdam, Madrid (sponsored by the American Women’s association) and now London. He is currently a resident of the UK living in London; he studied art and photography in Australia. Shane now travels extensively and produces high quality images from around the Globe ,promoting the diverse nature of our incredible planet. His images of London have appeared on posters and postcards in some 300 shops throughout the city including the key tourist shops in the West End.
In his photography Shane covers everything from the city views to landscapes, urban street life and remote Australian outback, portraits of his friends and strangers that he saw passing by. His photography can easily be described as documentary or journalistic. A sense of the beautiful diversity of the world reflects through Shane’s lens.
Outwalls is glad to have the opportunity to invite you to see Shane Aurousseau’s photography exhibition “Diversity World”. The exhibition held at Leyas, a local coffee shop in Mornington Crescent Camden very close to the Tube and Koko’s night club. Outwalls is a curatorial project aiming to exhibit a range of artists within social spaces, creating a more approachable link between audience and artist. Why not drop in, have a coffee and see some unique images – remember it’s Christmas and a unique gift is something to be treasured.
Curator: Ruta Sasnauskaite
Photographer: Shane Aurousseau
Some time ago I wrote a blog on the issues of bad water management in Australia. A country that many believe is one of the driest in the world. In fact Australia has one of the largest catchments on the globe of fresh water in the Great Artesian Basin covering a third of the country.
The Artesian Basin can be mapped from the top north through Queensland into New South Wales and the Northern Territory. Yet water from the Darling, Murray river system one of the greatest river basins in the world is being plundered. This water system covers 3,375 Kilometers (2,097 miles) in length. The Darling, Murray basin spreads out over 1,061,469 sq Km (409,835 sq ml). Water is being pumped out of this great river system at an alarming rate an example is Cubbie station Queensland the largest irrigation property in the southern hemisphere damming off from the Darling river system more water than is in Sydney harbour. This water theft continues along the entire system into South Australia with large properties pumping these great rivers dry in many cases to irrigate crops that are not natural to the country, cotton being one such crop. This mismanagement is placing pressure on the natural environment and indigenous commodities. In the 1800s and early 1900s this great river system was alive with water traffic, steamers carried passengers, wool and grain .
Today especially the Darling river it is lucky if a rubber bath duck could navigate the system. Management of the Artisian basin would not only take pressure off the great systems of the Darling and Murray it would also open the potential of the great Australian inland. The plundering of the two great rivers of Australia in currently a major issue of anger towards the federal and state governments especially from the smaller property stations that need fresh water irrigation along the system. There is also anger from the aboriginal community who own many of the river bank rights in Australia. There is a great feeling in the Aboriginal community that the natural environment is being plundered by an uncaring ethnic European government thus widening the gap between these two indigenous groups.
The issue of Water management in Australia is not dissimilar to the problems faced by communities along the Colorado River in the United States.
The Colorado River starts in Rocky Mountain National Park along the jagged edge of the Continental Divide at over 12,000 feet of elevation. The river cascades, flows, tumbles, and rumbles through 1,450 miles of mountains, canyons, high plains, and low deserts on its journey to the Sea of Cortez
in Mexico. The entire Southwest United States completely depends on the Colorado River and its tributaries – the states of Colorado, Utah, New Mexico, Arizona, Nevada, Wyoming, and California use the river’s water for farming, drinking, growing lawns, and generating hydroelectric power.
Thirty million people in the Southwest use the Colorado River’s water for their material sustenance; millions more use the river itself for recreation and spiritual enjoyment. The river quenches our thirst, feeds our souls, enlivens our senses. And we are not the only inhabitants using this river – its waters, canyons, and habitats provide a vibrant but deeply threatened ecosystem for untold numbers of plant and animal species. All of these competing demands make the Colorado River one of the most contested and controlled rivers on Earth. Over the last decade, humans have drained all of the river’s water – all 5 trillion gallons – before it reaches the Sea of Cortez. The Colorado River is in very bad shape and deeply threatened.
To serve the needs of human populations, for the last decade the Colorado River has been completely drained dry by the time it reaches the Sea of Cortez. While the destruction of the river is a clear and obvious consequence of our actions, additional threats to the Colorado River – from its headwaters in Rocky Mountain National Park, all the way to its dry destiny near the Sea of Cortez – are increasing with each tick of the clock.
Climate change is looming, population growth is escalating, more dams and diversions are planned, species are on the brink of extinction, oil/gas/mineral exploration near the river is increasing, and invasive species are continuing their march up and down the river and its tributaries.
The Save the Colorado campaign won’t be able to address all of these threats, but it’s important to tell the whole story and begin the critical work of restoration. http://savethecolorado.org/
As a species we are extremely bad at managing our natural resources.