Click link then click on Images by Shane Aurousseau
Click link then click on Images by Shane Aurousseau
I don’t often publish articles unrelated to my own work, however this article is really worth a read so click the link.
Having travelled extensively in the Country of my birth. I felt as a photographer I would like to show a side of Australia that tourists rarely see. The working and gritty side of a commodity driven country.
I have used black and white for strength. I see much of Australia as time warped in the 19th century. Much of the attitude beyond the populated coastal regions is early 20th century to 1945 the 50s and 60s. When I left Australia the first time the population had not yet hit 10 million. Today it borders on 25 million and should continue to grow exponentially. However still most new comers cling to the coastal regions like clinging to the gunnel of a boat. Little effort has been made by successive governments to develop the interior of this vast continent Island for community growth.
The main development has been for short term commercial / profit driven gains. Such objectives have caused the plundering of one of the world’s great commodity reservoirs with little thought for the landscape or its inhabitants. Many will say irrigation is a problem however Australia has one of the great sweet water catchments of the world in the Great Artesian Basin covering in excess of 1/3 of the country.
The country suffers from lack of real communication infrastructure development, railways and roads. There has been too much profiteering by small groups in power that have been too quick to take the vast sums of corporate cash on offer by the multi-nationals that covert the buried riches of Australia. The country is the epitome of the good life for the few a promotion of the 1%. This issue manifests in the lack of of support for the farming communities, wildlife protection and the governments inertia related to fire seasons.
Still many commodity industries are producing as they have for the last 150 years through the blood sweat and tears of hard yakka (yakka Australian for work. As an example Australia produces 1/3 of the world’s wool this wool from the Merino sheep is of the finest micron quality on the globe. Although some of the micron quality ( not all ) has been purposely lowered for more cost effective Chinese manufacturing. Shearing still takes place in the shearing shed on the sheep stations as it has for 150 years. Many commodities are mined in small holdings by sweating miners sometimes working in dangerous conditions, Lightning Ridge, Coober Pedy, White Cliffs to name a few.
Tradition housing dating to the 1800s
From the 1800s
Images by Shane Aurousseau
The above article is a good article and is an indicative parallel to the broader issues of global racism. The issues outlined in the article are issues that Americans should be able to relate to. Australia generally has little tolerance towards the Aboriginal community and yet exploits the historical track for purely commercial reasons. Growing up under the white Australia policy we never mentioned our neighbours and were taught little about one of the oldest continuous cultures in the world. We certainly never went to the same school or sat next to them at a cinema and continually still joke about how ill kept they are and their drinking habits. The issue with many Australian academics is that they are products of history most having grown up under the white Australia policy, we are our fathers. While travelling in the outback I heard a woman shopkeeper say ‘an Aboriginal woman came in here this morning, she was very nice and really polite’. Why wouldn’t she be what was the shopkeeper expecting to be mugged? Australian Academia does not have a silver bullet more like a smoking gun. This country of immigrants still dislikes diversity in most of its forms. The surface practical issues can be cleaned up and like justice seen to be done but the deep rooted psychological issues inherited from our forefathers takes time and is harder to banish.
At sometime whether Aboriginal or European it is necessary to ring-fence but also to look beyond our own cultures.
It could be a parallel for Brexit. We still dislike difference we still distrust diversity without really knowing why an insecurity that Australia and the world must face at sometime if we are to survive as an educated, enlightened species. We must also find ways to not forget but to forgive the past or next we will be prosecuting the descendents of Alexander the Great for his misdemeanors of 323 BC.
The featured image by photographer Shane Aurousseau could be called ‘Which way to Look Now’.
Images Shane Aurousseau
The Cocky or the boss on a sheep station, the shearers and hard work or hard Yakker in the shearing shed. The kelpies the working dogs of the Australian sheep stations, backing dogs that only need a quick command in order to know exactly where the drover wants the mob to go. Drovers and Cockies will tell you that a dog is worth two men. Australia still rides home on the sheep’s back producing over one third of the world’s wool and the finest micron level from Merino Sheep. I have had the fortune to spend some time in Condobolin, roughly the centre of New South Wales (NSW). An Uncle was the Cocky at a sheep station called Rosalind close to Condobolin.
Condobolin believed to have evolved from the aboriginal word Cundabullen (Shallow Crossing). explored in 1817 and established by 1844. Close to Condobolin is the ‘Overflow Station’ the setting of the poem ‘Clancy of the Overflow’. by the creator of ‘Waltzing Matilda’ and the Man from Snowy River – Banjo Paterson. ‘Clancy of the Overflow’ part of an Australian’s schooling.
Andrew Barton “Banjo’ Paterson (1864-1941). Poet, ballad writer, journalist and horseman.
‘Banjo’ Paterson, known as Barty to his family, was born Andrew Barton Paterson at Narrambla, near Orange on 17 February 1864. His parents, Andrew Bogle and Rose Isabella Paterson were graziers or Cockys on Illalong station in the Yass district. Some say Yass is the finest wool grazing in the world, certainly in Australia for the Merino sheep.
Paterson’s early education took place at home under a governess and then at the bush school in Binalong, the nearest township. From about the age of ten years he attended the Sydney Grammar School. He lived with his grandmother in Gladesville and spent the school holidays at Illalong station with his family.
After completing school the 16-year-old Paterson was articled to a Sydney firm of solicitors, Spain and Salway. He was admitted as a solicitor in 1886 and formed the legal partnership, Street and Paterson. During these years Paterson began publishing verse in the Bulletin and Sydney Mail under the pseudonyms ‘B’ and ‘The Banjo’.
In 1895, at the age of 31 and still in partnership with Street, Andrew Barton Paterson achieved two milestones in Australian writing. He composed his now famous ballad ‘Waltzing Matilda’ and his first book, The Man from Snowy River, and other verses, was published by Angus & Robertson, marking the beginning of an epoch in Australian publishing. This hallmark publication sold out its first edition within a week and went through four editions in six months, making Paterson second only to Kipling in popularity among living poets writing in English. His poetry continues to sell well today and is available in many editions, some of which are illustrated.
*Biography courtesy of the Reserve Bank of Australia
I had written him a letter which I had, for want of better
Knowledge, sent to where I met him down the Lachlan, years ago,
He was shearing when I knew him, so I sent the letter to him,
Just ‘on spec’, addressed as follows, ‘Clancy, of The Overflow’.
And an answer came directed in a writing unexpected,
(And I think the same was written with a thumb-nail dipped in tar)
‘Twas his shearing mate who wrote it, and verbatim I will quote it:
‘Clancy’s gone to Queensland droving, and we don’t know where he are.’
In my wild erratic fancy visions come to me of Clancy
Gone a-droving ‘down the Cooper’ where the Western drovers go;
As the stock are slowly stringing, Clancy rides behind them singing,
For the drover’s life has pleasures that the townsfolk never know.
And the bush hath friends to meet him, and their kindly voices greet him
In the murmur of the breezes and the river on its bars,
And he sees the vision splendid of the sunlit plains extended,
And at night the wond’rous glory of the everlasting stars.
I am sitting in my dingy little office, where a stingy
Ray of sunlight struggles feebly down between the houses tall,
And the foetid air and gritty of the dusty, dirty city
Through the open window floating, spreads its foulness over all.
And in place of lowing cattle, I can hear the fiendish rattle
Of the tramways and the buses making hurry down the street,
And the language uninviting of the gutter children fighting,
Comes fitfully and faintly through the ceaseless tramp of feet.
And the hurrying people daunt me, and their pallid faces haunt me
As they shoulder one another in their rush and nervous haste,
With their eager eyes and greedy, and their stunted forms and weedy,
For townsfolk have no time to grow, they have no time to waste.
And I somehow rather fancy that I’d like to change with Clancy,
Like to take a turn at droving where the seasons come and go,
While he faced the round eternal of the cash-book and the journal —
But I doubt he’d suit the office, Clancy, of ‘The Overflow’.
Droving Shearing, hard yakka
Images: Photographer Shane Aurousseau
Exhibition of work by Photographer Shane Aurousseau curated by Outwalls at Leyas Camden High Street. Why not drop in, have a coffee and relax while viewing some unique images. All prints are personally signed by Shane A, are limited Outwalls editions and for sale, give a family member or friend a unique Christmas gift. Prints are on Innova museum quality acid free cotton paper printed with long lasting pigment inks making them of the highest art exhibition quality.
Location: Leyas, 20 Camden High Street NW1 OJH very near Mornington Crescent tube station and in the newly revamped square now one of London’s most thriving meeting places.
Curator at Outwalls
Shane Aurousseau an Australian Photographer has worked in Sydney, London and Amsterdam as a creative director with some of the World’s largest advertising agencies with client’s such as Time magazine and Time Life Books. He has also produced designs and photographs for record label covers and has been published regularly by glossy magazines. He has had exhibitions in Sydney, Amsterdam, Madrid (sponsored by the American Women’s association) and now London. He is currently a resident of the UK living in London; he studied art and photography in Australia. Shane now travels extensively and produces high quality images from around the Globe ,promoting the diverse nature of our incredible planet. His images of London have appeared on posters and postcards in some 300 shops throughout the city including the key tourist shops in the West End.
In his photography Shane covers everything from the city views to landscapes, urban street life and remote Australian outback, portraits of his friends and strangers that he saw passing by. His photography can easily be described as documentary or journalistic. A sense of the beautiful diversity of the world reflects through Shane’s lens.
Outwalls is glad to have the opportunity to invite you to see Shane Aurousseau’s photography exhibition “Diversity World”. The exhibition held at Leyas, a local coffee shop in Mornington Crescent Camden very close to the Tube and Koko’s night club. Outwalls is a curatorial project aiming to exhibit a range of artists within social spaces, creating a more approachable link between audience and artist. Why not drop in, have a coffee and see some unique images – remember it’s Christmas and a unique gift is something to be treasured.
Australia comprises a land mass of around 7.629 million square kilometers. It is about 50% greater than the European Union. When I did my first trip overseas in the early 1970s the population was around 10 million today it is 24 million people. The latest visit to my homeland started to give me an insight into the deficiencies in the infrastructure of this vast and exciting country. I mentioned in a previous blog the difficulties in travelling to the major inland city of Dubbo from the National Capital. There is only one bus a week Saturday and this travels through many outback small towns. Australians whom I spoke to and as an Australian I do understand the lingo generally felt that there are not enough people to justify building the infrastructure. This is rather like saying that Woolworths and Coles with their 18.3 million customers and total control of the $85 billion grocery market should not have built stores until the 18.3 million people where queuing up in front of the vacant plot picked out for the first store.
I spend my time now between Spain and Australia and have pointed out on many occasions the strong High Speed Rail Network that has gone together in Spain – Alta Velocidad Española (AVE)
Now I know that much of this network is built via EU (European Union for those Australians who don’t know where the EU is) loans. This money is however much better spent on infrastructure than going into some greasy politician’s pocket. The last 6 months have seen Spain coming out of recession with a growth rate as good as Germany’s. The infrastructure in Spain will pay off the country now has the second best High Speed Rail network in the world after China, where is Britain and Australia. The road system of Spain is now mostly silk like highways. Goods and tourists can move faster companies like this type of investment. Ford motor company is putting 2.8 Billion Euros into manufacturing in Valencia what a confirmation of trust; one of the biggest car manufacturing investments ever. What of Australia’s car manufacturing it has stopped, even the
iconic Holden has left the shores. Australia loosely welcomes 5 million tourists per year. I will add that at least half of these tourists are probably Chinese families coming in and out to visit relatives. Spain has 70 million tourists, France 85 million and Britain 35 million. Now most Australians while over the Barbie will tell you that it is due to the distance, from where the antarctic, Asia including China and Japan are in striking distance as is much of the East Coast of the USA. Tourists can lift an economy the Greeks may have to survive off the tourist industry. Greece attracts 22.5 million tourists per year with a population of 11 million; tourism contributes over $30 billion US per year to the economy. Now it is the birth place of democracy whatever that is, however Australia has a people who can be traced back 50,000 years and are living on one of the oldest continents on earth. The differential between what other countries achieve in attracting tourists and what Australia with its stunning and much unspoilt countryside, outback and beaches achieves should make the tourist board ashamed. Thailand gets 22 million plus Tourists annually.
Australia is generally believed to be a dry land once away from the coast. However the Great Artesian Basin is the largest and deepest artesian basin in the world covering 1.7 million square kilometers some 23% of the continent this is a massive sweet water cache, It is also an under used resource with many of the great Australian Rivers being pumped dry.
The Darling river with its tributaries is 2,844 km long making it the largest river system in Australia. The Murray river is Australia’s longest river at 2508 Km. The Murray Darling confluence is at Wentworth New South Wales.The Murray Darling river system is one of the longest in the world.
There was a period when steamers came up the Darling river today you would be lucky to paddle a canoe up this great river. Industry and to some degree intensive cotton farming and its hunger for water have had a great effect on the water level of both the Darling and Murray rivers.
The Murray still has some depth to it but the Darling has little left. Cubbie Station located near Dirranbandi South West Queensland the largest irrigation system in the Southern Hemisphere covering some 240,000 acres has dammed of more water than the total volume of Sydney Harbour from the Darling river system.. All of this intensive agriculture is damaging the environment and having an effect on the native commodities wheat and the wool industry. The problem seems to be that successive governments have been more concerned with their political power and personal financial gains rather than investing management skills into protecting this exciting continent and growing the real wealth of the country. It is hoped that the Aboriginals who control the rights to most river banks will step in and help fight this destruction of the environment.
The only state at the moment that has a sound financial base is New South Wales but I wonder how long that will last, possibly NSW should go for independence the Scots would support them. With sound management Australia has the mineral / commodity wealth to be one of the leading countries in the world. Australia is the 11th wealthiest country in the world, Spain is the 12th. Generally speaking the country left to the Australians would go bust. It’s lucky that the Chinese have come however the joint deals need to be managed so that the Australians also benefit. There is the population for both a manufacturing base and commodity base. The Australian Dollar is at the mercy of commodity and especially mining prices – good business spreads the risk.
Photographer Shane Aurousseau
A journey around Australia will bring the traveller in contact with some of the most interesting and creative art in the world, Indigenous, European descended , Road and Urban The first great artists of this stunning country where the Aboriginals dating back some 50,000 years. The creativity of this highly sophisticated people is now legendary. One fellow traveller meeting me by chance on an outback road told me ‘ Europe has history Australia has art’.
Many Australian outback centres have established artist’s names past and present associated with their local community some with international reputations, Albert Namatjira, Pro Hart , Howard William Steer, Arthur Boyd – worth seeing the Broken Hill desert sculptures. It would take some time to name all the talent that is and has created the Australian unique character.
Much of the art of Australia contains great humour of a real Australian Character. The vibrant hard colours of Australia make for strong clear work by artists. Ochres reds of the dust, blue of the never ending sky make for some of the most vivid images that can be recreated by artists. As you move away from the green coast travelling over the great dividing range the landscape moves from a light ochre to a ochre red dust and then to the red heart with the bright red dust covering the car. As you get to the red heart the sky becomes clear and cobalt blue.
This is what many Australian artists from the aboriginals to the humorists of the European descended art community depict somewhere in their art. Australia is a country close to the earth the aboriginals mixed earth colours the European community recreates those colours. The traveller looking closely will also discover the abundant road and community art of this incredibly creative country with its stunning landscapes and history of 50,000 years and the development of the second nation from the late 1700s to present day . Australia is a country of Artists.
Photographer: Shane Aurousseau