Social Evolution

What would we now do without the mobile phone. The questions are has it brought us closer, distanced us or just speeded up our evolutionary progress. Some images of our social evolution:-

It's-there

That-phone-16

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That-phone-3

That-phone-9

That-phone-12

That-phone-14

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That-phone-15

That-phone-19

Images by Photographer Shane Aurousseau – Shane A

Twitter: https://twitter.com/Growlerythought

Web: http://www.kiamafoto.com

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Hard Yakka in the Shed

I met him down the Lachlan, years ago,

He was shearing when I knew him, so I sent him a letter

Just ‘on spec’ addressed  as follows ‘Clancy of the Overflow’ 

Banjo Paterson

Shearing-the-Jumbuck-in-the-Shed-A
Shearing the Jumbuck
Shearing-Colours
Hard yakka in the Shed
The-Shed
The Shed hard yakka
Hard-Yakka-with-the-Jumbucks-Condobolin
The Shed
Heat-in-the-Shed-F
The Broomy
Really-Hard-Yakka
Day’s Yakka
The-Yakka-and-the-Broomy
Hard yakka and the Broomy
Smoko
Smoko
Smoko-in-the-Shed
Smoko in the Shed

Images by Photographer Shane Aurousseau

Twitter: https://twitter.com/Growlerythought

Web: www.kiamafoto.com

Blog: www.shaneasite.com

Review Link: http://www.allaboutshipping.co.uk/2015/12/16/diversity-world/

Email: shanea@kiamafoto.com

“Down the Lachlan”

I met him down the Lachlan, years ago,

He was shearing when I knew him, so I sent him a letter

Just ‘on spec’ addressed  as follows ‘Clancy of the Overflow’ 

Banjo Paterson

Very-Hard-Yakka
Hard yakka in Condobolin images Shane Aurousseau (Shane A)

Hard-Yakka-in-the-Shed

The Shed Condobolin Images Shane A

The-Drover
The Drover Condobolin images Shane A
Hard-Yakka
…and more hard Yakka Condobolin images Shane A
Shearing-hard-Yakka
Shearing the Jumbuck Condobolin images Shane A
H-_EXHIBITION-3-12-2015_Sheep-23-1-2016_Smoko
and now Smoko images Shane A
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Cocky at Smoko images Shane A
Shearer-3-BW
More hard yakka images Shane A
Hard-Yakka
More Yakka image Shane A

Images Photographer Shane Aurousseau

Twitter: https://twitter.com/Growlerythought

Web: www.kiamafoto.com

Blog: www.shaneasite.com

Review Link: http://www.allaboutshipping.co.uk/2015/12/16/diversity-world/

Email: shanea@kiamafoto.com

 

 

 

Cockys Drovers Shearers and Hard Yakka

The Cocky or the boss on a sheep station, the shearers and hard work or hard Yakker in the shearing shed. The kelpies the working dogs of the Australian sheep stations, backing dogs that only need a quick command in order to  know exactly where the drover wants the mob to go. Drovers and Cockies will tell you that a dog is worth two men. Australia still rides home on the sheep’s back producing over one third of the world’s wool and the finest micron level from  Merino Sheep. I have had the fortune to spend some time in Condobolin, roughly the  centre of New South Wales (NSW). An Uncle was the Cocky at a sheep station called Rosalind close to Condobolin.

Condobolin believed to have evolved from the aboriginal word Cundabullen (Shallow Crossing). explored in 1817 and established by 1844. Close to Condobolin is the ‘Overflow Station’ the setting of the poem ‘Clancy of the Overflow’. by the creator of ‘Waltzing Matilda’ and the Man from Snowy River – Banjo Paterson. ‘Clancy of the Overflow’ part of an Australian’s schooling.

Drovers
The Drover and the Cocky – Image Shane A

Banjo Paterson

Andrew Barton “Banjo’ Paterson (1864-1941). Poet, ballad writer, journalist and horseman.

‘Banjo’ Paterson, known as Barty to his family, was born Andrew Barton Paterson at Narrambla, near Orange on 17 February 1864. His parents, Andrew Bogle and Rose Isabella Paterson were graziers or Cockys on Illalong station in the Yass district. Some say Yass is the finest wool grazing in the world, certainly in Australia for the Merino sheep. 

Paterson’s early education took place at home under a governess and then at the bush school in Binalong, the nearest township. From about the age of ten years he attended the Sydney Grammar School. He lived with his grandmother in Gladesville and spent the school holidays at Illalong station with his family.

After completing school the 16-year-old Paterson was articled to a Sydney firm of solicitors, Spain and Salway. He was admitted as a solicitor in 1886 and formed the legal partnership, Street and Paterson. During these years Paterson began publishing verse in the Bulletin and Sydney Mail under the pseudonyms ‘B’ and ‘The Banjo’.

In 1895, at the age of 31 and still in partnership with Street, Andrew Barton Paterson achieved two milestones in Australian writing. He composed his now famous ballad ‘Waltzing Matilda’ and his first book, The Man from Snowy River, and other verses, was published by Angus & Robertson, marking the beginning of an epoch in Australian publishing. This hallmark publication sold out its first edition within a week and went through four editions in six months, making Paterson second only to Kipling in popularity among living poets writing in English. His poetry continues to sell well today and is available in many editions, some of which are illustrated.

*Biography courtesy of the Reserve Bank of Australia

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More hard yakka – Image Shane A
H-_EXHIBITION-3-12-2015_Sheep-23-1-2016_Smoko
Smoko Image Shane A

Clancy of the Overflow – Banjo Paterson

I had written him a letter which I had, for want of better
Knowledge, sent to where I met him down the Lachlan, years ago,
He was shearing when I knew him, so I sent the letter to him,
Just ‘on spec’, addressed as follows, ‘Clancy, of The Overflow’.

And an answer came directed in a writing unexpected,
(And I think the same was written with a thumb-nail dipped in tar)
‘Twas his shearing mate who wrote it, and verbatim I will quote it:
‘Clancy’s gone to Queensland droving, and we don’t know where he are.’

In my wild erratic fancy visions come to me of Clancy
Gone a-droving ‘down the Cooper’ where the Western drovers go;
As the stock are slowly stringing, Clancy rides behind them singing,
For the drover’s life has pleasures that the townsfolk never know.

And the bush hath friends to meet him, and their kindly voices greet him
In the murmur of the breezes and the river on its bars,
And he sees the vision splendid of the sunlit plains extended,
And at night the wond’rous glory of the everlasting stars.

I am sitting in my dingy little office, where a stingy
Ray of sunlight struggles feebly down between the houses tall,
And the foetid air and gritty of the dusty, dirty city
Through the open window floating, spreads its foulness over all.

And in place of lowing cattle, I can hear the fiendish rattle
Of the tramways and the buses making hurry down the street,
And the language uninviting of the gutter children fighting,
Comes fitfully and faintly through the ceaseless tramp of feet.

And the hurrying people daunt me, and their pallid faces haunt me
As they shoulder one another in their rush and nervous haste,
With their eager eyes and greedy, and their stunted forms and weedy,
For townsfolk have no time to grow, they have no time to waste.

And I somehow rather fancy that I’d like to change with Clancy,
Like to take a turn at droving where the seasons come and go,
While he faced the round eternal of the cash-book and the journal —
But I doubt he’d suit the office, Clancy, of ‘The Overflow’.

Banjo Paterson

Droving Shearing, hard yakka

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Portrait of a Shearer – image Shane A
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Another Portrait of a Shearer – image Shane A
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The Jump a Kelpie hard yakka – Image Shane A
Drover
Droving with Backing Dog – Image Shane A
Shearer-1-BW
Hard yakka – image Shane A
Shearer-2-BW
More hard yakka – image Shane A

 

Condobolin
Sheep country Indian Pacific Railway Trans-continent at Condobolin – image Shane A

Images: Photographer Shane Aurousseau

Twitter: https://twitter.com/Growlerythought

Web: www.kiamafoto.com

Blog: www.shaneasite.com

Review Link: http://www.allaboutshipping.co.uk/2015/12/16/diversity-world/

Email: shanea@kiamafoto.com

 

 

 

 

 

 

 

Diversity in Black and White -A Monochrome World

Photography is about telling the story sometimes in colour sometimes in the drama of black and white, what is the story behind an image in whatever medium works for that image subject. It can be your story not necessarily mine. The vast majority of people look at an image and see only a nice photo few look beyond  seeking purpose. Knowledge that it is a nice looking snap of a family member does not have any ties to understanding, it is akin to amorality. The mass availability of phone cameras and general compacts has taken the general perception of photography into the world of the myopic monochrome and away from artistic achievement. Professional photographers now find it hard to achieve true value for their hard worked images, for in order to generate a truly creative image it still takes hard work and a creative mind. Photography of the highest quality still has its high place in the world of creative media. Like the master artists who use the right equipment in order to achieve their chosen objective the best photographers select the best tools for their creative path . The camera is only the brush. Pointing a phone and clicking and accidentally achieving a good snap is not a creative path, it is usually a good family or travel record. At my recent exhibition in London the curator Ruta Sasnauskaite cleverly devised a competition whereby people had to find certain information buried within the images. The winner was the one with the closest answers to the ones held by the curator. Everyone took part; the answers where not the issue what it did was to make the audience look into the photograph and not at it. Involvement with an image can give the same level of intellectual enjoyment that a fine piece of music does moving the viewer from knowledge to understanding.

Audience-with-the-PlayerJust-doing-thingsThe-City-SignatureThe-Singer

Stay-down-ThereWinter-in-EnglandThe-MinerChica-FiestaBirdmanThe-Escape-1-Layers

Images by: Shane Aurousseau – Shane A

Exhibition of work by: Shane Aurousseau – Shane A Leyas 20 Camden High Street London NW1 0JH

Click for Exhibition review Linkhttp://www.allaboutshipping.co.uk/2015/12/16/diversity-world/

Twitter:   https://twitter.com/Growlerythought

Web:    http: //www.kiamafoto.com

 

 

 

 

 

 

 

 

 

 

Exhibition Shane A London Camden

I have attached a press release and a link to a review of the exhibition of my work taking place in Camden London UK.

Kind regards

Review link: – link is

http://www.allaboutshipping.co.uk/2015/12/16/diversity-world/

Exhibition of work by Photographer Shane Aurousseau curated by Outwalls at Leyas coffee shop. Why not drop in, have a coffee and relax while viewing some unique images. All prints are personally signed by Shane A, are limited Outwalls editions and for sale. Prints are made on Innova museum quality acid free cotton paper printed with long lasting pigment inks making them of the highest art exhibition quality.

Location: Leyas, 20 Camden High Street NW1 OJH very near Mornington Crescent tube station.

Kind Regards,

Ruta Sasnauskaite

Curator at Outwalls

Shane Aurousseau an Australian Photographer has worked in Sydney, London and Amsterdam as a creative director with some of the World’s largest advertising agencies with client’s such as Time magazine and Time Life Books. He has also produced designs and photographs for record label covers and has been published regularly by glossy magazines. He has had exhibitions in Sydney, Amsterdam, Madrid (sponsored by the American Women’s association) and now London. He is currently a resident of the UK living in London; he studied art and photography in Australia. Shane now travels extensively and produces high quality images from around the Globe, promoting the diverse nature of our incredible planet. His images of London have appeared on posters and postcards in some 300 shops throughout the city including the key tourist shops in the West End.

In his photography Shane covers everything from the city views to landscapes, urban street life and remote Australian outback, portraits of his friends and strangers that he saw passing by. His photography can easily be described as documentary or journalistic. A sense of the beautiful diversity of the world reflects through Shane’s lens.

Outwalls is glad to have the opportunity to invite you to see Shane Aurousseau’s photography exhibition “Diversity World”. The exhibition held at Leyas, a local coffee shop in Mornington Crescent Camden very close to the Tube and Koko’s night club. Outwalls is a curatorial project aiming to exhibit a range of artists within social spaces, creating a more approachable link between audience and art.

Outwalls    

Curator: Ruta Sasnauskaite                    

outwalls.info@gmail.com

07901575753

Shane Aurousseau – Shane A

https://twitter.com/Growlerythought

www.kiamafoto.com

www.shaneasite.com

 

 

 

 

 

 

Review of London Exhibition by Photographer Artist Shane Aurousseau – Shane A

Australia-Sydney-Harbour-and-Luna-park_-245
Birdman

Review by James Brewer of London Exhibition by Photographer Artist Shane Aurousseau – Shane A  link is:

http://www.allaboutshipping.co.uk/2015/12/16/diversity-world/

Review by James Brewer

Exhibition of work by Photographer Shane Aurousseau

Exhibition of work by Photographer Shane Aurousseau curated by Outwalls at Leyas Camden High Street. Why not drop in, have a coffee and relax while viewing some unique images. All prints are personally signed by Shane A, are limited Outwalls editions and for sale, give a family member or friend a unique Christmas gift. Prints are on Innova museum quality acid free cotton paper printed with long lasting pigment inks making them of the highest art exhibition quality.

Location: Leyas, 20 Camden High Street NW1 OJH very near Mornington Crescent tube station and in the newly revamped square now one of London’s most thriving meeting places.

Kind Regards,

Ruta Sasnauskaite

Curator at Outwalls

IMGL4704-Straight
The Shopping Trip

Shane Aurousseau an Australian Photographer has worked in Sydney, London and Amsterdam as a creative director with some of the World’s largest advertising agencies with client’s such as Time magazine and Time Life Books. He has also produced designs and photographs for record label covers and has been published regularly by glossy magazines. He has had exhibitions in Sydney, Amsterdam, Madrid (sponsored by the American Women’s association) and now London. He is currently a resident of the UK living in London; he studied art and photography in Australia. Shane now travels extensively and produces high quality images from around the Globe ,promoting the diverse nature of our incredible planet. His images of London have appeared on posters and postcards in some 300 shops throughout the city including the key tourist shops in the West End.

In his photography Shane covers everything from the city views to landscapes, urban street life and remote Australian outback, portraits of his friends and strangers that he saw passing by. His photography can easily be described as documentary or journalistic. A sense of the beautiful diversity of the world reflects through Shane’s lens.

IMG_9602-Blur-A
Happiness is a Fiesta

Outwalls is glad to have the opportunity to invite you to see Shane Aurousseau’s photography exhibition “Diversity World”. The exhibition held at Leyas, a local coffee shop in Mornington Crescent Camden very close to the Tube and Koko’s night club. Outwalls is a curatorial project aiming to exhibit a range of artists within social spaces, creating a more approachable link between audience and artist. Why not drop in, have a coffee and see some unique images – remember it’s Christmas and a unique gift is something to be treasured.

​Outwalls
Curator: Ruta Sasnauskaite
outwalls.info@gmail.com
07901575753
Photographer:  Shane Aurousseau
https://twitter.com/Growlerythought
http://www.kiamafoto.com
http://www.shaneasite.com

 

 

 

 

 

Australia and water management a similar issue to the Colorado River in the USA

Some time ago I wrote a blog on the issues of bad water management in Australia. A country that many believe is one of the driest in the world. In fact Australia has one of the largest catchments on the globe of fresh water in the Great Artesian Basin covering a third of the country.

Australia the Great Artesian Basin covers a third of the country
Australia the Great Artesian Basin covers a third of the country

The Artesian Basin can be mapped from the top north through Queensland into New South Wales and the Northern Territory. Yet water from the Darling, Murray river system one of the greatest river basins in the world is being plundered. This water system covers 3,375 Kilometers (2,097 miles) in length. The  Darling, Murray basin spreads out over 1,061,469 sq Km (409,835 sq ml). Water is being pumped out of this great river system at an alarming rate an example is Cubbie station Queensland the largest irrigation property in the southern hemisphere damming off from the Darling river system more water than is in Sydney harbour. This water theft continues along the entire system into South Australia with large properties pumping these great rivers dry in many cases to irrigate crops that are not natural to the country, cotton being one such crop. This mismanagement is placing pressure on the natural environment and indigenous commodities. In the 1800s and early 1900s this great river system was alive with water traffic, steamers carried passengers, wool and grain .

Australia Darling river transport
Australia Darling river transport
Wilcannia on the Darling River NSW today -image Shane Aurousseau
Wilcannia on the Darling River NSW today -image Shane Aurousseau

Today especially the Darling river it is lucky if a rubber bath duck could navigate the system. Management of the Artisian basin would not only take pressure off the great systems of the Darling and Murray it would also open the potential of the great Australian inland. The plundering of the two great rivers of Australia in currently a major issue of anger towards the federal and state governments especially from the smaller property stations that need fresh water irrigation along the system. There is also anger from the aboriginal community who own many of the river bank rights in Australia. There is a great feeling in the Aboriginal community that the natural environment is being plundered by an uncaring ethnic European government thus widening the gap between these two indigenous groups.

1918-lancahire-lass-and-barge-darling-river
1918-lancahire-lass-and-barge-darling-river
Australia Belswick Merino Stud Condobolin NSW
Australia Belswick Merino Stud Condobolin NSW
Darling River today - image Shane Aurousseau
Darling River today – image Shane Aurousseau

The issue of Water management in Australia is not dissimilar to the problems faced by communities along the Colorado River in the United States.

The Colorado River starts in Rocky Mountain National Park along the jagged edge of the Continental Divide at over 12,000 feet of elevation. The river cascades, flows, tumbles, and rumbles through 1,450 miles of mountains, canyons, high plains, and low deserts on its journey to the Sea of Cortez

Colorado-2
Disappearing Colorado River USA

in Mexico. The entire Southwest United States completely depends on the Colorado River and its tributaries – the states of Colorado, Utah, New Mexico, Arizona, Nevada, Wyoming, and California use the river’s water for farming, drinking, growing lawns, and generating hydroelectric power.

Thirty million people in the Southwest use the Colorado River’s water for their material sustenance; millions more use the river itself for recreation and spiritual enjoyment. The river quenches our thirst, feeds our souls, enlivens our senses. And we are not the only inhabitants using this river – its waters, canyons, and habitats provide a vibrant but deeply threatened ecosystem for untold numbers of plant and animal species. All of these competing demands make the Colorado River one of the most contested and controlled rivers on Earth. Over the last decade, humans have drained all of the river’s water – all 5 trillion gallons – before it reaches the Sea of Cortez. The Colorado River is in very bad shape and deeply threatened.

To serve the needs of human populations, for the last decade the Colorado River has been completely drained dry by the time it reaches the Sea of Cortez. While the destruction of the river is a clear and obvious consequence of our actions, additional threats to the Colorado River – from its headwaters in Rocky Mountain National Park, all the way to its dry destiny near the Sea of Cortez – are increasing with each tick of the clock.

Climate change is looming, population growth is escalating, more dams and diversions are planned, species are on the brink of extinction, oil/gas/mineral exploration near the river is increasing, and invasive species are continuing their march up and down the river and its tributaries.

The Save the Colorado campaign won’t be able to address all of these threats, but it’s important to tell the whole story and begin the critical work of restoration. http://savethecolorado.org/

As a species we are extremely bad at managing our natural resources.

Shane Aurousseau

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