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Just Celebrating black and white photography by Shane Aurousseau. Lifestyle a diversity concept.
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Designing for strength states there is a story to be told. High impact image also use of highlights and strong shadows. The use of multiple images is legitimate if it enhances the message. The message it what’s important the camera is only a tool a paint brush. To be creative lateral thought carries great importance. Many great artists only became successful after their deaths only when people realised how far lateral and radical thought had taken them and what it had given society. Nothing advances when restricted by convention.
The question is how far an image should be pushed to achieve impact?
There are many ways to enhance an image for impact and not all in the camera post shoot production is legitimate in achieving the goal of the image creator. The camera is part of the mathematical workings part of a process towards an outcome that achieves the required result. The result is what takes the creator to the next step in the process toward reaction and development. Its rather like saying any publicity is good publicity. Few people understand why they are drawn to an image. It can be because they don’t like it unhappy with it or the cuteness is drawing the viewer in.
The image panel below uses black and white to take the eye from the colour of blood and costume to focus the eye on the detachment of the spectators using highlights throughout the gallery keeping the action dark, the action is secondary. This detachment could be a synonym for our society’s attitude to violent issues throughout the world note the child.
The colour image draws the spectators and Matadors together in their detachment to death. Even though in colour the image reeks of death yet the detachment is stronger.
Why does an image have impact the colours because it’s black and white the tonal values, highlights shadows, sharpness. Professional photographers often talk about the black point strong blacks that still carry definition can make an image bounce. Landscapes can come alive when colours are pushed to an unnatural level or the design becomes extreme. Many viewers will say I really don’t like that image. This thought process means the image has already done its job. Shock tactics have been used by the advertising industry for decades. The big photo libraries talk in terms of strong and soft images they understand that it is impact that sells, there is nothing like profit to concentrate professionalism. Laypeople will often say I need to think about that photo this secondary thought process means the moment has passed the impact is a momentary spontaneous reaction not a thought process an impulse sale. It is the initial impact that stops the viewer and commences the creation of the thought process. This dictates that the image deserves further scrutiny and understanding however without the first impact the image will be bypassed. The great master painters were masters of shock in use of colour light extreme design. Many of the great artists moved from realistic depiction to extreme or abstract design seeking that step further in impact and thought process, great photographers often use distortion to emphasise a visual point. Picasso is a great example of an artist taking the step into the dimension of lateral thought experimentation in understanding. This is what made them professionals masters, art is about causing a reaction to a statement and photography is art the word comes from the Greek a combination of two words Phos or Photos (meaning light) and Graphein (meaning to write or representation by means of lines or drawing, together meaning drawing with light). Size can have a bearing an image with little impact at A5 can come alive at poster size.
Tightly cropped shot using strong blacks to contrast the lace of the senoritas a gentle separation of the carriage groups. An image that reeks of tradition.
The Opal miner in Lightning Ridge becomes part of the wall and mine that he spends most of his day working in.
The strength of the Ocean is the dominant force below enhanced by the black and white and the highlights. Use of black and highlight.
Three women in happy fiesta dresses yet totally bored with the festivities the focus in on each woman emphasising her state.
The light entering the shed from your left makes this image and it emphasises the clarity of the wool. Use of strong light creating a strong highlight but still containing some detail.
The death of an icon a symbol for the disappearance of the motor industry in Australia and the jobs that went with it. The image is one of a mausoleum surrounded by headstones. The black and white is in keeping with the somber subject.
The women who follow the Nazarenos at Semana Santa a sombre occasion but still a fashion statement. Strong black with a hint of the lace subtle use a light touch with the highlights brings out the lace. A careful balance between black and highlight.
Concentration on the faces, pride of participation.
The family participates in a great and culturally diverse city London
The World over
Waiting for the action to start
Getting rid of the evidence a suggestion by action.
Reading the Music focused use of light. The white keyboards with the white sheets draws the eye in. The shot derives its impact from the lighting. Concentrating on the action with an indication of the participants.
The work continues getting it right position and action.
Portrait of a Miner. The black and white emphasises the darkness of the world he works in the tight crop his personality.
Portrait of a Cocky and Drover. The stiffness almost gives a painted portrait feel making the image clear and focused on the subjects. They are what they are men of the land of the outback. The Drover is on your left, the Cocky or station owner your right.
The Bullock driver tight crop and action give this shot its impact.
The metomorphosis colour to black and white or vice versa changing the atmosphere.
The power of the highlights and the blacks.
Creating an atmosphere the organist’s concentration is only drawn to the music he exists only in his own bubble
The tight crop creating character
Shoot in high resolution reduce for the internet the image will always have more impact than a small censor phone. The phone image can be well constructed however the reduction from high to low increases definition strengthens shadows and highlights moving from a good well-constructed snap to professional quality. The advertising industry is the master benchmark for understanding impact and industry based on reaction. Cameras in the full frame to medium format giving TIFF files of 50MP plus are the choice for high impact imaging by professionals. Most people react to an image without knowing why and rightly so it is the job of the layman to react and the job of the professional to understand and to draw out the reaction.
All Images by Shane Aurousseau or:-
For a Limited period Shane Aurousseau is offering high quality prints of his art shown below at affordable prices. Prints are A3+ larger than A3. The print size is 13″ins x 19″ins or 329 mm x 483 mm. The prints are on the highest quality Innova cotton based acid free paper. They are printed using extremely long lasting pigment inks. The inks have the lasting qualities of a painting.
Each print is carefully and acuratly printed. Due to the printing time these images will never be massed produced in this format so will always be limited in quantity. Print price £60 plus postage and packing. If you would like to purchase one of these prints please email: firstname.lastname@example.org
Three Women and a Fiesta
Gitano de Oro
Girl with Guitar
High-end scanning by EWA
I have known EWA for sometime and have found them to be quick and professional producing the highest quality scanning, Shane Aurousseau
Looking for the highest-end scanning to digitise that high quality film photo library. Then see the attach image and contact EWA a preferred supplier to such companies as Alamy and Getty.
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Whitecross Street is a short street in Islington, in Inner London. It features an eponymous street market and a large housing estate.
In Whitecross street, King Henry V (9 August 1386 – 31 August 1422) was King of England from 1413 until his death at the age of 36 in 1422. builded one fair House; and founded there a Brotherhood of St. Giles, to be kept. Which House, had sometime been an Hospital of the French Order, by the Name of St. Giles without Cripplegate, in the Reign of Edward I, also known as Edward Longshanks and the Hammer of the Scots King from 1272 to 1307 and William Wallace’s nemesis. The King having the Jurisdiction, and appointing a Custos thereof, for the Precinct of St. Giles, &c. Which Hospital being suppressed, the Lands were given to the Brotherhood, for the relief of the Poor. In this Street was a White cross; and near it was built an Arch of Stone, under which ran a Course of Water down to the Moor, called now Moorfields
The Fortune Playhouse, an early Elizabethan theatre, was built on the street c.1600. John Lambe was killed in 1628 at this theatre. John Lambe 1545 to 13 June 1628 an English astrologer who served George Villiers, 1st Duke of Buckingham. He was accused of black magic and rape and stoned to death by a mob. It was closed in 1642 as part of Parliament’s closure of all theatres. A debtor’s prison, Whitecross Street Prison, was built on the street in 1813-15, near Fore Street (which still exists). After the prison’s closure in 1870, the Midland Railway Company built a goods terminus and a booking office for goods and passengers on the site in 1876-77.
The Cripplegate area was heavily damaged during World War II, and when the Barbican Estate and Barbican Centre was constructed after the war, the part of Whitecross Street south of Silk Street was swallowed up by the new construction, and the short section between Silk Street and Chiswell Street/Beech Street became part of Silk Street. St Giles Cripplegate, mentioned by Strype, is now within the Barbican Estate.
Whitecross Street Market, having been in existence for over 150 years, is one of London’s oldest markets. The market was formerly one of London’s great Sunday markets, and dates to the 17th century; although today, trading is largely limited to lunch times. By the end of the 19th century, the area had become a by-word for poverty and alcohol, and it became known as Squalors’ Market.
Today the market consists of stalls arranged along the northern half of the street, between Old Street and Fortune Street, with the road closed to traffic. There is a small general market and a food market of up to 50 food and drink vendors Monday-Friday lunchtime,which can be bustling with activity (and queues) on a sunny lunch time. It has occasional food festivals. In recent times, there has been significant investment from Islington Council, the City of London and English Heritage. It is open Monday–Friday, 10am–2pm.
In the images below I have tried to portray the atmosphere, the people and the lifestyle of Whitecross street today.
Images by Shane Aurousseau